The old poet who thinks he is young remembers the young poet who used to be wise. Twyford James Though I had my suspicions last fall and tried to hope it along this spring, the venerable holly tree is dead. Most of its leaves lost, yellow paint chips on the ground, the ever and green are missing from “evergreen.” And so the bark sloughs off, the punky white wood is useful to spalting fungi and insect larvae. The woodpeckers follow. A pileated visits Holly’s Diner, chisels like a true craftsman, searches earnestly for … Continue reading Poems Everworthy by Fred Wilbur →
National Poetry Month Daily Blog with Poem Revising a draft, for me, means returning to the poem from several perspectives. I might change the speaker from first person to second or third person, or change the poem so that there is not a clear speaker at all–no longer “lyric.” I may alter specifics, such as place names or seasonal references. Or fictionalize with invented crises, persons, time periods, or events. Take on a persona, for example. Add or delete dialogue. These are interpretive and point-of-view considerations: How can I broaden the poem’s reach? I might … Continue reading Idea or Memory by Ann E. Michael →
[frame align=”right”][/frame]In 2006, Farrar Straus and Giroux published Edgar Allan Poe and the Jukebox, a medley of previously uncollected work by Elizabeth Bishop (edited by Alice Quinn, poetry editor of The New Yorker and executive director of the Poetry Society of America). Running to over three hundred pages, it’s a bigger book than any book of poetry Bishop published in her lifetime and includes all sorts of things: juvenilia, scraps of unfinished poetry, and prose pieces of many kinds, in varying degrees of completion. “For those who love Elizabeth Bishop, “ said John Ashbery (perhaps … Continue reading What You Don’t See →
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