I wander through urban places, mostly near my home in Brooklyn, New York, rolling a Whole Foods cart jammed with a collapsible chair, a bristol pad, pencils, pastels, an easel and canvases. I make images of figurative public statuary, and occasionally their absences. These pictorial essays track the fate of public monuments and explore the inconstancy of public and private memory, particularly when the present, as now, is deeply unhappy or ambivalent with the legacy of its deeded past. This distress can lead to the toppling of public statuary which customarily happens in … Continue reading Teetering: Drawings by Howard Skrill →