Tag Archives: Poetry

When the Waters Rise or Storm Descends and Chicken, 2 poems by Michael Quattrone

black cliff with sun behind it, people on top
 

When the Waters Rise or Storm Descends Each family will have gathered what is durable and light. How far will the little ones walk before they ask to be carried. What else will you set down. When are we going to be there. Even our grief will not put out the fire. There it is, burning, lighter and lighter, singing into a mouthful of air. Chicken By the third time I checked on her, she had no eyes, just two white sockets where they should have been. A pair of glossy beetles, oblong, paddled in … Continue reading When the Waters Rise or Storm Descends and Chicken, 2 poems by Michael Quattrone

Sure to Glisten by Ashley Taylor

black silhouette of weeds
 

The vermillion sun salts our mouths, warmth brimming with the sapor of brine. I write on my arm the torrid air a salve for wounds pleasure can make known again. Why is it important that we remember the metrics of marking time? All I ever am haunted by the naming of things, the finality of definition of anything being anything more than what is. Fascinated by turning toward, becoming haloed from a moving silhouette— I write nonsense, vague and unspecific defenses, keeping me from being known. Next to me, someone is talking (to me?) of … Continue reading Sure to Glisten by Ashley Taylor

Passionflowers by Joyce Compton Brown

Blue Passionflower
 

  Mollypops, we called them, stomping with our small shoes, heaving them like baseballs, bursting them green against the barn wall. We were children, seeking to destroy, as children do, leaving the juice-encased seeds to rot, perhaps reseed the pasture’s edge. Now I watch them in the garden. They droop egg-like, ripen toward yellow, draping palmate leaves like mittened hands sheltering blossom and fruit. How frail the flowers perched atop the leaves, a few still blooming purple! Passiflora incarnate, naked as Botticelli’s Chloris in her flimsy veil. Style and stigma, anthers invite golden bee to … Continue reading Passionflowers by Joyce Compton Brown

What Claims Us by Diana Pinckney

shadows and light on cornered wall
 

Is it the nature of desire or the desire of nature to reveal how little we have evolved. Is it the few words of a person or a person of few words who commands our attention. Is it the history of violence or the violence of history that stirs our passion. Is it the loss of sadness or the sadness of loss that wakes the suddenness of joy. Is it the surprise of a gift or the gift of surprise that creates delight. Is it the loneness of a flower or the flower of aloneness … Continue reading What Claims Us by Diana Pinckney

What’s Not Broken by Charles Brice

cricket in green grass
 

……………………………………………………………Inspired by, “What’s Broken,” ………………………………………………………………………………….Dorianne Laux The little boy who only wanted to be rocked on his mother’s lap grows to desire nothing more than to hop in his baby blue Mercury Comet and drive far away from her. The lovers who spent hours in embrace but grew to despise the thought of each other. The scale learned to precision eventually abandoned to atonal schemes and dissonance. The cranky white-haired genius who wrote that only two roads diverged in the wood when there were hundreds of roads, some with potholes, some never completed, some washed … Continue reading What’s Not Broken by Charles Brice

Mirror by Joe Imwalle

mirror image of a sunset and trees
 

  Wall paintings are for looking at. Mirrors are not. Mirrors are puzzles for finding your way in or out. Once, I found on my way a geode thinking itself an unfertilized egg thinking itself to sleep but unable to pull up the anchor. I smashed it open. Dazzling! I’ve tried repeatedly nailing to a page that explosion to hang there. As a dancer, I find I have to dance again each time I’m moved as though the last time didn’t count. A look within finds DNA shared with many I was too late to … Continue reading Mirror by Joe Imwalle

A Photograph From That Summer on Point Reyes by Martha E. Snell

rugged blue coastline
 

Ocean wind pushes the four of us with such force that we lean onto each other perched side-by-side on a pile of rocks – daughter, mother, daughter and the father standing behind. The mother’s face covered with curls, all of us laughing at the wind, camera barely balanced and ticking time for the shutter to open and close. Straight strip of sand stretching north was barren for miles, but for sandpipers, seagulls and the plovers who paused and ran, paused and ran again. Today, another generation of plovers, their sons and daughters still pause and … Continue reading A Photograph From That Summer on Point Reyes by Martha E. Snell

Heather Street by Jasper Glen

darkened street with police car
 

I’m standing here on Heather Street Beside empty buildings that used to be the RCMP’s. A lot now owned by the government, leased To the film industry. A building where they shoot Movies of people acting out their dreams. I’ve seen cops pull up- ‘check locks’, Move props in and out. 11 at night, “private” Security guard tells me need to leave. Release Video footage on demand of me, I was walking By and a man was waiting there in the lot with his trunk Open. I heard two shots fire; actors running From a … Continue reading Heather Street by Jasper Glen

The Ukrainian Seamstress by Gary Beaumier

aerial view of smoky city, protestors
 

A soldier brings his torn field jacket to her “So much blown to pieces,” he says. She carries the heavy scent of tobacco and you can almost see the charred buildings in her eyes like gravestones. “There’s always someone who wants to break the world,” she answers. She leads him to her bed again where he can take her to the forgetting places and he strokes her hair and his lips trespass all along her breasts as he claims her for his inviolate country. And later when they share a cigarette —even as a bomb … Continue reading The Ukrainian Seamstress by Gary Beaumier

Purple Birds by William Heath

purple and blue swirls
 

Masterpieces are hard, manifestos, conversation pieces are easy. Here’s a woman who does sculptures of babies popping out of toasters, the whole thing drenched in a combination of blue and yellow paint— her statement. And here’s a painter who paints weird purple birds distinctively; he’s good with his brushes, we recognize his paintings, but who needs purple birds? What purpose do they serve? I know we’re not supposed to ask these questions— instead critics will praise the artist’s unique subject and style and people will buy her toasters, his paintings, prominately display them on their … Continue reading Purple Birds by William Heath