Richmond, Va. artist Lizzie Brown paints vivid and dramatic portraits to show the beauty, resilience, and strength of African Americans. Brown remembers her own first portrait at age five. “I was standing with a blue easel before me, a white sheet of paper, crayons in the easel tray, and I wanted to be sure to use EVERY color. I was in the zone, drawing my brown skin, black hair pulled in a ponytail with strands hanging to the left and right. I had red nail polish and chose to put myself in a long blue … Continue reading Lizzie Brown’s Vibrant Portraits→
Beginning a painting was the hardest part. Each time, there was an anxious confrontation with the blank white canvas as he stood before the easel. The image was unstable and there were so many choices: who or what entered and who or what remained excluded. Gradually, out of uncertain mist, the charcoal drawing diverged forms from background with broken lines, cross hatchings, and shadings. With an eraser, chiaroscuro images were recovered from darkness. But the pattern was still tentative and required layers of color to establish meaning which was not yet knowable. On the … Continue reading Scumbling by Thomas Mampalam→
At three, Brooke Major picked up a paint brush and rode her first horse. Her path was set. “My grandfather had riding stables and I fell in love with horses as a young child in Clayton, a small town in the North Georgia mountains,” Major remembers. She started riding frequently, and by six, she had her first pony and began jumping lessons in Buckhead, a suburb of Atlanta. “As for painting, the passion started at the age of three when I drew on absolutely everything I could find, most of the time … Continue reading The Sculpted Paintings of Brooke Major→
Streetlight: When and how were you introduced to art? Frankie Slaughter: When I was growing up, my mother, a modern dancer, art historian and arts enthusiast, and my father, a criminal trial lawyer and amateur magician, exposed my sisters and me to the arts in every form, practically on a daily basis—dance, art, magic, theatre. I engaged in many of these activities, such as painting, drawing, ceramics, tap, ballet, jazz, puppet making and set design. Streetlight: How did your work evolve? Slaughter: I started out with ceramics. I’ve always been interested in the materiality … Continue reading Frankie Slaughter Shows at Quirk Gallery→
My goal in approaching each new painting is to create something both pretty and uncomfortable. The colors and compositions—largely focused on nature—are traditional bubble gum fare that is pleasing to the eye. But then there are too many eyeballs. Is the painting watching the viewer? Why? I mean for the experience to be at least slightly unsettling. If you don’t look too closely, you might think—“well that might be pretty to hang above my couch.” But then you do look closely and decide, maybe not (depending on your social circle). My own … Continue reading New Works by Rachel Coyne→
“I change, but cannot die.” Shelly “The Cloud” As my wife and I are on our morning walk, I often comment on the clouds above: the constant change they float themselves through, the subtlety of hues they dress in, the animal shapes and deities we conjure. And one day I must have said I’d like to paint clouds once too often—forget that I am not much more than an occasional house painter— because next birthday my kind and, no doubt, loving wife presented me with an online course simply titled Painting Clouds. With tabletop easel, … Continue reading Capturing Clouds by Fred Wilbur→
My favorite flower is an iris, inspired by Van Gogh’s painting, Irises. It’s a painting of blue irises with one white iris symbolizing his loneliness. I feel loneliest in a group so I strongly relate to this painting. I have been photographing irises longer than anything else. I started taking photos of flowers, especially irises, roses and tulips, in the spring and summer months of the late ’90s and early 2000s in Providence, Rhode Island, where I live. I have struggled with manic depression for three decades. The mania … Continue reading Kate Salvi’s Flower Power→
Whether nature, still lifes, intimate interiors or portraits, John Randall Younger aims for the sense of reality rather than an exact, perfect replica. “I paint more illusion of reality,” says Younger, two-time finalist of the Outwin Boochever Portrait Competition at the Smithsonian National Portrait Gallery. “If you saw me paint you’d think ‘what’s he doing.’ I use palette knives and old cheap brushes. I scratch the canvas. I don’t fuss.” Younger is the son of eminent wildlife artist Richard E. Younger, illustrator of McClane’s Standard Fishing Encyclopedia. “My father did botanical representation. He would … Continue reading John Younger: The Illusion of Reality→
“I’m not a high summer, beach-going dweller,” says artist Annie Wildey, a native of Britain who grew up far from the sea. “But I love the beach on the quieter days, the days when people wouldn’t think of going to the beach – when it’s foggy, just before or after a storm or when it’s snowing, “I identify with the ocean when a storm is brewing or passing, when the surf is up, when flurries form, when the fog looms or is lifting, when the horizon is obscured or the sky begins to clear. There’s a … Continue reading Ebb and Flow: Paintings by Annie Wildey→
Rick Weaver seems an artist equally interested in what can and cannot be seen. Whether working with paint brushes, carving tools or modeling clay, his creations blend the subject at hand with what he imagines is missing. Initially trained in classical drawing and painting, Weaver now concentrates on sculptures, life size as well as those larger and smaller. He’s currently completing a commission of a Native American boy for an art association in St. Augustine, Florida. He’s shaping the 54″ statue in wax eventually to be cast in bronze. The young Native … Continue reading Rick Weaver: The Art of Imagination→
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