Thinking of Queen Elizabeth While Waiting for My Son at Dance Class The Queen’s body, enclosed in leadand English Oak, shifts forward for six hours. The waiting room, coffin of tired fabric,dance moms hold up their faces, hand bone effort. Children scurry, glass door handprints,sippy cups on tile, they escape like squirrels. Young mammals shimmer up oak treesby the road, plastic saws, hammers to pretend. Construction of her majesty’s casket lasteddecades, preparation for her death, a great British novel. In my town, dying is about which manufacturedbox is affordable. Elizabeth, a new mother to this … Continue reading Thinking of Queen Elizabeth While Waiting for My Son at Dance Class and The Solitary Mare, 2 poems by Sarah Lilius →
Ruth Knezevich is the 2nd place winner of Streetlight’s 2025 Essay/Memoir Contest Prepare fresh herbs—4 bunches parsley, 3 bunches cilantro, 2 bunches chives, 1 bunch fenugreek—first rinsing them with salt water clear bacteria and other impurities then rinsing with fresh water until it runs clear. I walk along a narrow, covered alleyway, lined on either side with vendors selling fresh meat, fresh produce, and fresh bread. I cover my nose and mouth as I hurry past the butcher’s doorway. Flies hover in front of my eyes, and some land on the untended and over-ripe peaches … Continue reading From a Persian Kitchen by Ruth Knezevich →
I wore a turquoise donkey bead on a thong around my neck— choker, bead and knot resting in the space between collarbones. Glass eye facing outward from my wrist pupil of deep blue defending against malevolence that wandered high school halls. Perhaps forgetting to say “Rabbit Rabbits” before opening eyes on the first day of the month explained everything. I have a fitness tracker clipped to my shirt as if I could outrun the apocalypse pocket full of dog treats to throw to the beast. Alison Hicks’s latest collection of poems is Homing. She was … Continue reading Portrait with Amulets by Alison Hicks →
Nigerian printmaker and painter Ojo Olaniyi creates works that reflect his interest in social justice, identity, and community. He often depicts his themes in group portraits and gatherings, especially catching the innocence and curiosity of children in their expressions and interactions. “I highlight social justice,” says Olaniyi, “by showing equality and fairness in my community-focused pieces. Identity is pictured in individuality and self-expression through portraits and everyday scenes and community is showcased in the beauty of human connection and shared experiences.” Olaniyi discovered his love for art during his primary school days (1967-1973) in Nigeria. … Continue reading Prints by Nigerian Artist Ojo Olaniyi →
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