The Best of the Breed: The Art of Nancy Bass

Five cows, painted
The Company: Zoe, Goldie, Amy, Muffin and Lily, oil on panel, 24”x 48” x 2,” 2015

 

Given her first crayons at three, Nancy Congress Bass drew a picture of a pink poodle. She loved the slew of cats housed down the street and would grow up to be an artist with a penchant for painting animals of all species—roosters, pigs, birds, bears and sheep. Her favorite would be the cow.

Cow, painted
Ferdinand, oil on panel, 24”x30”x 2,” 2016

 

In 35 years as a professional artist, Bass estimates she’s probably painted hundreds of cows and is still counting. “We live in harried times…cows take us back to when life wasn’t beating so fast. Cows are very calm, especially if you move to them slowly. They seem the epitome of pastoral life; they have a quality of peace and wisdom,” says Bass.

White cow, painted
Anniebell, oil on panel, 6”x6”x2,” 2018

 

A native of Peoria, Illinois, Bass and her husband, Dave, moved to a farm near Charlottesville, Va. in 1983. Earlier they owned and ran a chain of pizza restaurants. Dave, a skier, and hiker of the Appalachian Trail, loved the land, and he and Nancy decided to raise cattle on their farm. “We raised our herd of Simmental, Hereford, Angus, and Charolais cows who ate the grass and served as beautiful models for my paintings.

Cow with calf, painted
Teacup and her calf, oil on panel, 6”x 6”x2,” 2016

 

 

“In raising cows,” says Bass, “you get to know them and what they do. You can see individual personality in their faces, their temperaments and order in the herd. I spent so much time with the herd, I fell in the love with them; they’re all different characters, shapes and colors. They’re like pets…my inspiration for painting for 30 years.”

 

Two cows, head to head, painted
Ferdinand and Captain, oil on panel, 24”x30”x2,” 2016

 

 

 

 

 

 

 

Bass continues to paint her herd and other animals, spending her winters in Boca Grand, Florida and summers in a cabin near Asheville, North Carolina with its mountain views and wild animals.

 

Cows on the hill, painted
King of the Hill, oil on panel, 8”x8”x2,” 2013
White cow on beach, painted
Annie at the Beach, oil on canvas, 36”x36”x11/2,” 2018

 

Bass’s artistic talent was spotted early by her parents and teachers. Her father, a jeweler, she terms a frustrated painter who loved to design; his passion was art. He took his daughter with him to visit the Art Institute in Chicago.

“In kindergarten, I only wanted to stay at the art table. Later, I took art classes before school and both parents encouraged me. I had this inspiring experience at an early age. I did art any way I could,” she says.

Bass attended Drake College in Des Moines, Iowa and majored in art and entrepreneurial studies. “I was told I couldn’t make a living being an artist.” Her entrepreneurial skills soon surfaced when she left college early to marry and start a business. While working day and night, Nancy continued to draw, take workshops and hone her painting skills.

Drawn to realistic and abstract art, Bass admires the masters Botticelli, Degas and Vuillard along with Hopper, realists Wayne Thiebaud and Janet Fish, as well as color field painters Mark Rothko and Richard Diebenkorn.

Bass began her career creating pastel portraits of children. She taught herself landscape painting but her preference for portraiture reemerged in painting cows, each with its own distinct character and disposition. Each has its own charisma and a pet name, among them, Annie, Angel, Ferdinand, Rusty, Little Bell and Snow White.

Cow painted on checkered background
Little Captain, oil on panel, 36”x36”x2,” 2013

 

To avoid sentimentalizing her subjects, Bass “likes to mix it up,” and paint her cows in a variety of techniques, sizes, settings and backdrops. They are depicted in smooth stroke close-ups, grazing in wide fields, confronting the viewer beneath tree limbs, or most amusingly, facing forward against gentle waves at the beach. A background of textures—subtle stripes or squares—“highlight” the cows. Studies combining naturalistic cows against patches of colors, reflect the “change and break up of the land,” the development and growth issues which Bass witnessed during years of farming.

cows in a field
On the Farm, oil on canvas, 40″X40”x2,” 2016
cows in a field
spring landscape #4, oil on canvas, 24″x24”x1,” 2016

 

 

 

 

 

 

 

 

 

When Bass first moved to Florida, she painted seascapes. “I liked painting the ocean but missed the cows, and thought ‘why can’t I paint cows on the beach?’” She laughs. “I’ve had fun with that.”

 

Two cows under palm trees, painted
Under the palms, Bell & Angel, oil on panel, 30”x30”x2,” 2016

 

Her paintings range from six by six inches to life size portraits, five by five feet. “When I started painting cows, I went out to the field in my car and did quick studies for myself. Now I work on a small portrait as a warm up in the mornings, and then after lunch, work on larger ones, building up the details for larger paintings. I like to intermix them. I don’t want to get into a rut.”

Bass relies on her file of digital photos as a rich resource of different cows and breeds. “I move the cows around and play with the settings. I was told early it’s good to go back and forth in size and style…mix it up,” she repeats. “The goal is to make a beautiful painting; a moment of peace and beauty.

 

White cow under flowering tree, painted
Angel and the tree of hope, oil on panel, 36”x36”x2,” 2015
Owl on tree above cow, painted
Little Bell and the Owl, oil on canvas, 60”x60,” 2015

 

 

 

 

 

 

 

 

 

“Every artist also has to find her/his own voice. In the early years, it was easy to be satisfied. Everything looked good. Later you expect more of your work and push yourself harder. I’m in an experimental stage,” says Bass. “I want to take a year and be influenced by new places I’m living and see where it goes.”

 

Cow on beach under sunset, painted
Sunset at the Beach with Patches #2, oil, 30”x30”x2,” 2018

 

In early fall, Nancy Bass packed her paints and palette, off to Maine to paint its craggy landscape and, if lucky, in Rockport to paint the well known herd of belted Galloway cows.

“I thought I was going to get over painting cows,” she says, “but I’m the artist and still like painting them…why not?”

 

Nancy Bass painting


Nancy Bass
Bass’s charming work has been shown in galleries from Dallas, Texas to Park City, Utah and Fisher’s Island, New York. She has often shown at the McGuffey Arts Center in Charlottesville where she was a resident member for five years. Visit nancybassartist.com to see more of Bass’s paintings.

— Elizabeth Meade Howard, art editor

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One thought on “The Best of the Breed: The Art of Nancy Bass”

  1. We just love the cows. Charming, charming but not too sweet at all. The paintings introduce critters we would certainly love to know. The different cow settings are most creative and interesting. Hope Nancy Bass never stops. Liz and Teddy

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