All posts by Elizabeth Howard

For Albemarle’s Sam Abell, Photographs Come from Within. By Russell Hart


 

  The first thing Sam Abell entreats his workshop students to do is imagine their photographs without a primary subject. “I cover up the subject with my hand and ask, is there still a photograph under here?” says the celebrated National Geographic photographer, who has lived just west of Charlottesville for going on fifty years. “The answer, almost always, is no.” That can be a tough lesson for eager photographers, but it’s easier to swallow coming from such a calm and sympathetic teacher. It makes a difference, too, that Abell has always practiced what he … Continue reading For Albemarle’s Sam Abell, Photographs Come from Within. By Russell Hart

The Sculpted Paintings of Brooke Major

White and blue horse with white city in background with blue backdrop made of paint
 

  At three, Brooke Major picked up a paint brush and rode her first horse. Her path was set. “My grandfather had riding stables and I fell in love with horses as a young child in Clayton, a small town in the North Georgia mountains,” Major remembers. She started riding frequently, and by six, she had her first pony and began jumping lessons in Buckhead, a suburb of Atlanta.     “As for painting, the passion started at the age of three when I drew on absolutely everything I could find, most of the time … Continue reading The Sculpted Paintings of Brooke Major

Cristina’s Pop Art

Paainting of Mickey Mouse holding his hands in shape of heart, with different pro-peace slogans on and around him
 

  Cristina is an artist with an eye to humor, the ironic and social commentary. She started creating art for fun at the age of six, painting random objects and landscapes. Her early experience sparked a lifelong fascination with the visual world, a curiosity that continues today.     Cartoons – from Disney’s Mickey Mouse and the Simpsons to Charlie Brown – colored Cristina’s childhood, “I spent countless hours immersed in these fantastical worlds which fueled my imagination and nurtured my sense of storytelling,” she says. “In fact, cartoons were a big part of how … Continue reading Cristina’s Pop Art

The Photography of Leah Oates and Max St-Jacques

Manipulated photo of view of trees looking up
 

This mother and son have more than most in common; Leah Oates and son Maximilien St-Jacques share a passion for photography.Oates’s grandfather was an amateur photographer who passed on his interest to her. When she began art school she was a painter and printmaker, but says she always referenced photography in both and eventually realized she was a photographer.     She studied at Mass Art, Rhode Island School of Design and at The School of the Art Institute of Chicago. Oates also studied in Rome on a year abroad program at RISD and at … Continue reading The Photography of Leah Oates and Max St-Jacques

Mimm Patterson Wins Streetlight’s 2024 Art Contest

collage of handkerchief
 

Mimm Patterson is the Winner of Streetlight’s 2024 Art Contest Among the submissions that we received for the Streetlight Art Contest, Mimm Patterson’s work stood out. We were especially impressed with her encaustic collages, which offered visual complexity and layered meaning, and a quality of singularity or uniqueness. Social Anxiety and Murder of Crows both create the sense of a hyper-stimuli ridden, obfuscated and conflicted realm, one that captures a fairly accurate portrait of the modern world we create for ourselves. But all of Patterson’s works offer her viewer a richness of surface and depth of plane … Continue reading Mimm Patterson Wins Streetlight’s 2024 Art Contest

In Other Words by Elizabeth Meade Howard

Drawing of hand writing in front of a rose
 

  Remember letters? Ones that came in the mail with stamps and occasional foreign postmarks? Remember that moment of anticipation before opening the letter? Remember the thrill of a love letter and the thwarted desire to be in immediate contact? Of course, now in the age of e-mail and texting we can make almost instant contact and become impatient if not answered at once. Forget the patience and time required to find the right words before mailing. Alas, the “art” of letter writing seems a part of the past. As it happens, I have more … Continue reading In Other Words by Elizabeth Meade Howard

The Photographs of Christopher Woods

Photo of the outside of colorfully painted attic
 

                        I have always been interested in visual art. In fact, years ago my wife, Linda, and I owned a small art gallery. But I have long been a writer, and I wondered if personally entering the visual arts might hamper the writing. Wasn’t writing enough for one person? Then my attitude changed. For one thing, my wife and I bought an old farmhouse in the Texas countryside, between Houston and Austin. This transformed our lives. I had always lived in a city, so … Continue reading The Photographs of Christopher Woods

The Collages of Ann Calandro

Collage of bookcase and typewriter with words coming out of it
 

  Collage artist Ann Calandro drew a lot as a child and wanted to be an artist when she was grown. Not getting into art school, she ended up as an English major who liked to read. She studied with poet Donald Finkel at Washington University in St Louis. “A lot of my inspiration comes from my parents, who were interested in music, art, literature, and architecture, and just from growing up in New York City, where there is always lots to look at and lots of motion,” she says. “My father was a city … Continue reading The Collages of Ann Calandro

Frankie Slaughter Shows at Quirk Gallery


 

  Streetlight: When and how were you introduced to art? Frankie Slaughter: When I was growing up, my mother, a modern dancer, art historian and arts enthusiast, and my father, a criminal trial lawyer and amateur magician, exposed my sisters and me to the arts in every form, practically on a daily basis—dance, art, magic, theatre. I engaged in many of these activities, such as painting, drawing, ceramics, tap, ballet, jazz, puppet making and set design. Streetlight: How did your work evolve? Slaughter: I started out with ceramics. I’ve always been interested in the materiality … Continue reading Frankie Slaughter Shows at Quirk Gallery

The Drawings of Lorraine Caputo


 

    During my growing up, I experimented with many media. I taught myself how to dig and process clay from local stream beds. I taught myself to weave. I saved money (from collecting return bottles and such) to buy painting materials and worked primarily in acrylics. I would wash down my canvases in the backyard for reuse. I also sold my mostly black and white optical art posters and hand-made drawing guides to classmates.     But doing art is expensive . . . and over the years, I turned to creating images with … Continue reading The Drawings of Lorraine Caputo