Given her first crayons at three, Nancy Congress Bass drew a picture of a pink poodle. She loved the slew of cats housed down the street and would grow up to be an artist with a penchant for painting animals of all species—roosters, pigs, birds, bears and sheep. Her favorite would be the cow. In 35 years as a professional artist, Bass estimates she’s probably painted hundreds of cows and is still counting. “We live in harried times…cows take us back to when life wasn’t beating so fast. Cows are very calm, especially … Continue reading The Best of the Breed: The Art of Nancy Bass→
I began making photos, suddenly and unexpectedly, in 2005, when a dear friend was diagnosed with cancer. Making photos help me to fill temporal-spatial, psycho-social holes and, on rare good days, to enjoy the flow. Other than that, as Wittgenstein wrote in his Tractatus, “Some things can not be put into words. They make themselves manifest. They are what is mystical.” Now, my cRaZy quilt background is unrelated to my photography. I earned graduate degrees in both business administration and philosophy and consulted/taught higher education for 30 years at two community colleges and … Continue reading Photographs by James Ray Paradiso→
Twisting. Turning. Twirling. Swirling. Slipping. Sliding. Gliding. Falling. Soaring. Flying free. The magic of carnival rides, animals and the whistle of a circus calliope are evoked like silver dollar memories by multimedia artist Benjamin Frey. “I wanted to do a series of works showing movement and energy. Carnivals are an area of intense energy and a lot of movement. “For us, the carnival is a place of mystery, wonder and a little bit of darkness. In the contemporary world, the carnival is the last place where super human, herculean acts and extraordinary things are … Continue reading Imagination in Motion: The Art of Benjamin Frey→
Images come in my imagination, either imposed by impressions from the movies, music or theater or by simple communication with another person. Some think my works are based on literature, but this is not so. The image of a potential picture will not leave my imagination until it is depicted on canvas or paper, an oil or acrylic painting. First, I inwardly develop all the details. Sometimes I start a small sketch, but the more detailed image is developed in my mind, the less time and effort I need for its implementation. The … Continue reading Imaginings by Kateryna Bortsova→
As her life changed so did the patterns of her art. “I love patterns…I surround myself with patterns,” says mixed media artist Judy McLeod, a Charlottesville resident for more than four decades. “When I’m making art, I love the surface quality of textures and patterns—the opposite of minimalist and clean blocks of color—a kind of visual riot. That pleases me. “We also live patterned existences—we go to the same house every night; we have the same children every day; the same partner or set of friends; workspace. There’s a regularity to our lives. Sometimes … Continue reading Patterns of Change: The Art of Judy McLeod→
Since changing paths on my photographic journey about three years ago, I continue to find great excitement and inspiration—as well as endless thematic possibilities—while experimenting with light painting techniques. I think of these techniques as a photographic toolkit that I use to emphasize the precise lighting of a subject and to capture with numerous separate photos, then layering/blending them in Photoshop to create the final whole photograph. Like any set of tools, they become more comfortable and versatile the longer I work with them. Less attention is required to use the tools properly. Less time … Continue reading New Visions by Fax Ayres→
My selected photographs belong to two different periods and locations but stem from similar motivations. They are studies, each leading to the next image, knowing that images birth one another. They are all connected as, in reality, they are the inner life of the creator. As for the effect, I place the objects, or find the objects as they are. I try a number of angles, and lighting conditions so I am not necessarily sure of what the final product will be. I shoot hundreds of images of the same subjects as I move around … Continue reading The Photography of Fabrice Poussin→
“To me photography is a blend of serendipity, of good fortune and conscious selection and structuring. I need to apply skill and I need to get lucky,” says Charlottesville photographer Will Kerner. “The skill is composing, lighting, using the camera properly. The luck is that which the subjects give you.” A commercial and wedding photographer for 28 years, Will Kerner cross-pollinates his professional skills shooting both weddings and travel images. When shooting a wedding, says Kerner, he’s constantly seeking to capture the moment, looking at available light, creating the composition. “Then when traveling, my … Continue reading The Photography of Will Kerner→
(Unless otherwise noted, all paintings are watercolor/mixed media on hand-felted wool and rice paper.) I am kind of an image junkie, especially images of the subconscious or dream state. I became interested in art as a teenager and the Surrealists were who I found first. I began my actual art career working in fibers. In undergraduate school at Virginia Commonwealth University, I was a weaver and felt-maker and worked with many materials and textures. I taught all of these processes as well as papermaking and became enamored with paper, the simple beauty and … Continue reading The Art of Linda Laino→
Most things, no matter how trite and mundane, have intrinsic beauty or interest when presented in just the proper way. This is the core premise underlying Forensic Foraging, an alternative technique for digital photography. This emerging motif employs the same throwback principles that made color photography great during the heyday of the New York School, perhaps beginning as early as the 1940’s with Saul Leiter. Creative framing, high contrast, and very heavy color saturation are key elements. Moreover, the forage, borrowed from early forensic crime scene photography, employs the intense sifting, sorting, and shooting of … Continue reading William Crawford’s Forensic Foraging→
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