My goal in approaching each new painting is to create something both pretty and uncomfortable. The colors and compositions—largely focused on nature—are traditional bubble gum fare that is pleasing to the eye. But then there are too many eyeballs. Is the painting watching the viewer? Why? I mean for the experience to be at least slightly unsettling. If you don’t look too closely, you might think—“well that might be pretty to hang above my couch.” But then you do look closely and decide, maybe not (depending on your social circle). My own … Continue reading New Works by Rachel Coyne→
Though many photographers have influenced me, the top three are Edward Weston, Richard Misrach, and Joel Meyerowitz. Besides his masterful compositions and tones, Weston taught me that simple reality is never simple. Misrach’s desolate but gorgeous images deepened my appreciation of color, even when shooting objects not normally considered photogenic. Meyerowitz’s Cape Light photographs most influence my current work, leading me to search for images that utilize pure colors to suggest stories, moods or memories. One Meyerowitz picture, taken around dusk, haunts me: an … Continue reading Photographs by Steve Patterson→
My work is inspired by sacred geometry, which is thought to convey sacred and universal truths by reflecting the fractal interconnections of the natural world. By reiterating these ratios, my work unlocks the language of abstraction through the collective recognition of geometric perfection that is evident in ethnic patterns all around the world. This commonality creates connections. As such, my work is a perfect conduit for cross-cultural conversations that embrace our shared humanity through mindfulness and mutual respect. My research actively explores the physicality of materials and the haptic through intense process-based abstraction. Whether … Continue reading Reni Gower Shows at Chroma Projects→
From an early age I enjoyed drawing, and in later years took up oil painting and etching as well. Eventually I decided to go into art full time, which I have continued to do, putting on paper images that simply come to mind, but also illustrating scenes from Dante’s Divine Comedy and other literary works. In my mid-fifties I happened to pick up a copy of the Inferno, the first of the three sections of Dante’s The Divine Comedy (the others being Purgatorio and Paradiso) and found myself mesmerized by the poetry and the vividly … Continue reading Dante-Inspired Works by Tom Duff→
Lynn Coleman has earned an Honorable Mention in Streetlight’s 2021 Art Contest I moved to Southern California in 1962 from central California. The first wildfire I remember was in 1967 and started near the Chatsworth Reservoir. My girlfriend was up there with a boy (we were sixteen) after telling her Mom she was spending the night with me. They barely made it out alive. In 1970 the Chatsworth to the Sea fire burned thirty-two miles from the Santa Susanna Pass to the Pacific ocean in Malibu. Friends lost their homes and art studios. When … Continue reading Lynn Coleman: Honorable Mention in Art Contest→
Robert Schultz is the 1st place winner of Streetlight’s 2021 Art Contest Robert Schultz considers himself a fortunate man. A retired Roanoke College English professor, he still follows his daily work schedule, keeping regular hours writing and reading at his desk and working in his studio. He lives on a cul-de-sac in Salem, Va. surrounded by woods and his wife’s bountiful gardens. Then the pandemic hit. “I was rocked by the historical and maddening circumstances which came along and were made worse than needed due to leadership issues,” says Schultz. He was already photographing … Continue reading Robert Schultz: Winner of Streetlight’s Art Search by Elizabeth Howard→
The first place winner of Streetlight’s art contest is Robert Schultz of Salem, Va. Schultz’s work, Specimens of the Plague Year, documents a year in the pandemic with his thoughts, quotes from scholars, poets, and current news events, all illustrated with scanned images of plants and flowers from his wife’s garden. Images are selected from some thirty-seven illustrations in Schultz’s elegant photo journal, Specimens of the Plague Year. A sampling of Schultz’s nature images will be featured in Streetlight January 7-24th. His work will be exhibited at Chroma Gallery, Charlottesville, during February, Robert Schultz … Continue reading Winners of Streetlight Art Search Announced by Elizabeth Howard→
Splish! Splash! There’s high drama in the clashes of two wine glasses, martini olives swirling, peppermints spinning in the Schnapps! Watermelon, cherries and tomatoes are sprayed fresh and ready to eat! Artist Robin Harris loves to paint, focusing on fluidity and “gastronomic whimsy”—oversized, vibrant paintings playing with images of food and drink, dropping, spilling and splashing in all directions. Her high ceilinged studio delights the senses with paintings of fresh fruit and ice cream cones, newly poured Manhattans and a lemon twist balancing on the lip of a margarita. … Continue reading Robin Harris Makes a Splash!→
Art creation is an organic process for me, where inspiration takes the lead and my hands merely follow. The traditional media in my repertoire includes pen, colored pencil, and acrylic paint. I am also fond of using Adobe Photoshop and Illustrator. I explore the juxtaposition of traditional and digital mediums within my art because this combination is a versatile method of self-expression. I blend realism and surrealism to represent the beauty and strangeness of my subjects. I find inspiration in majestic natural wonders and in small, delicate objects such as wildflowers. My … Continue reading Deconstructing My Process by Jury S. Judge→
Michael Snyder has traveled the world, camera in hand, documenting the stories of those concerned with environmental change and sustainability and the spaces they inhabit. “I want to be very intentional about my work and do more than make more than pretty photos. My why underneath these images is to contribute to the conversations we need to be having about what it means to live well on this planet without destroying it,” says Snyder, an award winning photographer/filmmaker, and resident artist at the McGuffey Art Center in Charlottesville. Having learned photography from his … Continue reading The Faces of Change by Michael O. Snyder→
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