On walks, I find feathers, seed pods, pieces of wood, leaves, flowers, sticks, papers, plastic and metal things, pieces of glass, strings, all objects that were useful in some way before they were dropped or lost. They served important purposes and then they didn’t. Some fell from trees, from birds, from pockets, the undersides of cars, or from the hand of a distracted walker like me. I find these little things visually interesting. … Continue reading Susan Patrick: Debris into Drawings, Paintings and Sculptures→
Travel has always been important to me. It’s about adventure, experience, and cultures that are different from my own. Cuba intrigued me for all these reasons. In 2018, I felt it would be a fleeting opportunity and a friend and I were excited to take advantage of it. Nature is not forgotten in the city with vines growing throughout the crumbling buildings, seeming to be slowly reclaiming its place. The colors were simultaneously brilliant and worn. As an artist, I found this beautiful decay inspiring and mesmerizing. These buildings, which most … Continue reading Cuba Updated: Photographs by Susan Kalergis→
I went to see the Juneteenth rally in Richmond because I’ve always been drawn to stories, to seeing things unfold. Beneath the grand statue of Robert E. Lee, a large crowd gathered. Songs were sung and words were said, stories told. People spoke of hope and change and the wish for better lives for their children going forward. There were no riots, only a gathering of what seemed to be good people trying to push change. There were plenty of kids dancing and playing, … Continue reading Time for Change: Juneteenth Photos by Mark Atkinson→
Sometimes I am asked to compare current artwork to pieces of the last few years. I can only do so in the most general terms: the images of my newer digital paintings may be a little sharper and colors dance a bit more. But such changes are not magic or part of a grand scheme, simply more experience and better insight, i.e, diligence and luck. I consider my paintings as “emotional landscapes.” I have a penchant to use color and shapes as atmospheric perspective. I want the viewer to be surrounded by them, then … Continue reading New Work by Edward Michael Supranowicz→
Yasser Alaa Mobarak grew up in Alexandria, Egypt. When the Egyptian Revolution started in 2011, he was an eighteen-year-old teenager. “The protest took place in Shatby Station, Alexandria. It called for freedom and social justice. I was keen on documenting the new events taking place in my city which I had never witnessed before. I used my compact camera and mobile phone,” he says. “I use photography as a tool of self-expression and documentation. Photographer Dorothea Lange said the camera is an instrument that teaches people how to see without a camera. I studied … Continue reading Yasser Alaa Mobarak: Seeing the Moment→
March 19. It was the first day of spring. Cardinals trilled at dawn. Trees were starting to smudge pink, white and green. I smelled mulch, and fresh, overturned earth. Beauty and hope were in the air. And there too was the invisible dread, the dark underside, the quietly, stealthily spreading Covid-19. I wondered if it was safe to have contact with friends across the street, across town, those recently returned from other states and foreign ports? President Trump had recently declared a national emergency. My husband, John, and I qualify as “elders,” however … Continue reading What to Do in the Days of Corona Virus? by Elizabeth Meade Howard→
Photography for me started as a hobbyist’s yearning for perfectionism and how to depict it using one of the simplest formats—the photograph—rather than any real try at becoming a professional. Over five years ago, Instagram and an inexpensive smartphone paved my way into this realm of scenes, colors and shapes. Mostly my most private bliss when capturing the moments led me to continue and eventually get my first and only DSLR, the beginner’s Nikon D3300 and its standard kit lens. And although as a photographer it’s difficult to rely exclusively on the art in … Continue reading “Minimalist” Photos of Ricardo Elisiário→
I’m a Los Angeles-based conceptual artist and painter. I was born in Jerusalem, Israel. Although my parents did not have any special interest in the arts and never painted, I started painting in childhood, wandering away in my mind, mostly in school while the teacher was talking. Being an athlete was much cooler than being an artist so I didn’t show my work much. I stopped painting when I enlisted in 2000 in the Israeli army which is mandatory. After four and a half years in the army, I traveled to South America for a … Continue reading Tomer Peretz’s “Incomplete” Works→
I’m drawn to the wild juxtapositions that collage creates. I love the idea that anyone armed only with scissors and glue can construct an image that’s as fresh as a dream and just as startling. Also, I’m attracted to those images that are hypnotic and hallucinatory; the ones that are striking, irresistible, kinky, and unforgettable. One aspect of nature that is especially interesting to me is sexuality in all its complexity and manifestations. Therefore, many of my collages deal with the embodiments of desire, the markers of attraction, and the sacred … Continue reading The Sacred Delirium of Love: Collages by Bill Wolak→
Many of my art works are rooted in science with an affinity for outer space. In June 1969, as America fulfilled J. F. Kennedy’s dream to put the American Stars and Stripes into the dusty surface of the moon, my fascination with spaceships grew. As a child, I made spaceship models and always wanted to create my own space cities. Phantasmal spaceships carried me to unique wonderland of strange forms and colors. Eventually my artistic visions ended up on paper in some 500 drawings. As I got older, I wanted more flexibility so worked … Continue reading Darrell Black: The Art of Definism→
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