All posts by Elizabeth Howard

The Photography of Kimberly Flynn

Photo of calla lily with reflections of light
 

  I began photographing at sixteen when I got my first paycheck from the local movie theater to purchase a 35 mm film camera, a Canon EOS Rebel G. The camera then never left my side the rest of high school. I was compelled to document everything from nature to the people in my life. As life progressed, photography may have taken a backseat, but I always found my way back to it. My book, Abstracted Distractions: teetering between here and gone showcases images from the past twenty years. My work explores images of nature … Continue reading The Photography of Kimberly Flynn

Jurgen Ziesmann: When Science and Art Combine


 

  There are two loves in my life, two passions on which I spend countless hours. On one side the world of science, biology, physiology, cells and smells, counters with a microscope, computers with software for statistical analysis. On the other side is the world of painting, composition, shapes and structures, tables with brushes, tubes filled with pigments, and the scary white surface that waits to come alive with colors and lines. I believe that art and science have always gone hand-in-hand. My work resembles biology. I like to mimic the biological processes and allow … Continue reading Jurgen Ziesmann: When Science and Art Combine

Drawings and Collages by Jack C. Buck


 

  I wholeheartedly believe in the power and value of art—whatever the avenue. The act of trying is the underlying variable of my art education, from solely writing poetry to putting energy towards visual poetry, drawing and collaging.   My collages are made from cut paper and pen, followed by photographing (digitizing), digitally manipulating and modifying to add more elements. For art/drawing, my informal education originates from being influenced by creative friends in college. Being in the same space and sharing each other’s creative projects is still motivational. There is power in collective energy. I’ve … Continue reading Drawings and Collages by Jack C. Buck

Photographs by Peter Filene


 

  Two “aha!” moments have erupted during my career as a fine arts photographer. But rather than lightning bolts from on-high, they arrived as a voice—my voice—exclaiming, “why not!” At each moment, my photography swerved in a new direction. I began shooting seriously in the 1970s, alongside my career as a U.S. history professor at UNC, Chapel Hill. I was teaching an undergraduate seminar on “American Photography and American Culture.” Inspired by the work of Alfred Stieglitz, Walker Evans, and Robert Frank, I bought a Nikon FM, took workshops at Maine and RISD, and prowled … Continue reading Photographs by Peter Filene

Conceptual Art by Peter Allen


 

  Having been interested in both visual art and writing/poetry since I was able to pick up a pencil or paint brush, it seemed natural to eventually want to combine the two somehow. In the 1980s, I began exhibiting work with a visual art piece and a companion poem together. Then in the 1990s I started stenciling words together with the visual elements. In the last twenty years or so I have endeavored to combine entire poems with a visual element, sometimes two or more poems are meant to work with a single image.   … Continue reading Conceptual Art by Peter Allen

New Works by Rachel Coyne


 

  My goal in approaching each new painting is to create something both pretty and uncomfortable. The colors and compositions—largely focused on nature—are traditional bubble gum fare that is pleasing to the eye. But then there are too many eyeballs. Is the painting watching the viewer? Why?     I mean for the experience to be at least slightly unsettling. If you don’t look too closely, you might think—“well that might be pretty to hang above my couch.”  But then you do look closely and decide, maybe not (depending on your social circle). My own … Continue reading New Works by Rachel Coyne

Photographs by Steve Patterson

Photo of victorian house
 

                      Though many photographers have influenced me, the top three are Edward Weston, Richard Misrach, and Joel Meyerowitz. Besides his masterful compositions and tones, Weston taught me that simple reality is never simple. Misrach’s desolate but gorgeous images deepened my appreciation of color, even when shooting objects not normally considered photogenic. Meyerowitz’s Cape Light photographs most influence my current work, leading me to search for images that utilize pure colors to suggest stories, moods or memories. One Meyerowitz picture, taken around dusk, haunts me: an … Continue reading Photographs by Steve Patterson

Reni Gower Shows at Chroma Projects


 

  My work is inspired by sacred geometry, which is thought to convey sacred and universal truths by reflecting the fractal interconnections of the natural world. By reiterating these ratios, my work unlocks the language of abstraction through the collective recognition of geometric perfection that is evident in ethnic patterns all around the world. This commonality creates connections. As such, my work is a perfect conduit for cross-cultural conversations that embrace our shared humanity through mindfulness and mutual respect. My research actively explores the physicality of materials and the haptic through intense process-based abstraction. Whether … Continue reading Reni Gower Shows at Chroma Projects

Dante-Inspired Works by Tom Duff

Illustration of man surround by woods
 

From an early age I enjoyed drawing, and in later years took up oil painting and etching as well. Eventually I decided to go into art full time, which I have continued to do, putting on paper images that simply come to mind, but also illustrating scenes from Dante’s Divine Comedy and other literary works. In my mid-fifties I happened to pick up a copy of the Inferno, the first of the three sections of Dante’s The Divine Comedy (the others being Purgatorio and Paradiso) and found myself mesmerized by the poetry and the vividly … Continue reading Dante-Inspired Works by Tom Duff

Lynn Coleman: Honorable Mention in Art Contest

Painting of large fire
 

Lynn Coleman has earned an Honorable Mention in Streetlight’s 2021 Art Contest   I moved to Southern California in 1962 from central California. The first wildfire I remember was in 1967 and started near the Chatsworth Reservoir. My girlfriend was up there with a boy (we were sixteen) after telling her Mom she was spending the night with me. They barely made it out alive. In 1970 the Chatsworth to the Sea fire burned thirty-two miles from the Santa Susanna Pass to the Pacific ocean in Malibu. Friends lost their homes and art studios. When … Continue reading Lynn Coleman: Honorable Mention in Art Contest