Portraits by Nigerian Artist Sholanke Boluwatife Emmanuel

 

Black and white drawing of young black man
Self-portrait, charcoal and conte on paper, 2025

The portraits of Nigerian artist Sholanke Boluwatife Emmanuel reveal his empathy, respect and sensitivity to his subjects. “The suffering and resilience of every African child raised from a poor family background is a theme that resonates deeply with me. I aim to highlight the struggles and triumphs that define our lives,” he says.

Initially, Boluwatife says, he didn’t plan to pursue art, discouraged by the street artists he saw. Then, in 2011 in primary school at Holy Trinity School in Ogun state, his teachers and classmates encouraged young Boluwatife   to draw. In secondary school, he discovered his strong passion for art. He started painting in oils in 2017 when assigned a portrait of President Muhammad Buhari. He was then sixteen.

Painting of a black man in glasses
President Muhammad Buhari, oil on board, 2017

“Growing up in a financially challenged African family, accessing art materials was difficult. I had to save up and buy what I could,” he remembers. “I faced skepticism from my parents about pursuing art as a career with questions like ‘What will you use art to do?’ and ‘Do they study art in school?’

“Despite these doubts and disapproval, I remained committed to my craft and developed my skills on my own.” After secondary school, Boluwatife worked with an art tutor to further learn drawing and painting. ”The teacher taught me for free because he understood me and valued my talent,” he says.

Black and white drawing of man and woman, holding out her hand showing off engagement ring
When Two Become One, charcoal and graphite on paper, 2025
Black and white drawing of black woman, hair pulled back
The Woman of Virtue 1, pencil on paper, 2025

 

 

 

 

 

 

 

 

 

 

 

Boluwatife went on to study Fine Art at the Federal Polytechnic, Ilaro, Ogun State, Nigeria, where he earned his National Diploma (ND). He funded his Polytechnic education through art commissions from friends, referrals, and social media.

Painting of many people inspecting goods at an outdoor market
Market Day, oil on canvas, 2020
Painting of three men crowded around a fruit stand
The Fruit Monger, oil on canvas, 2023
Painting of young black woman looking soulfully towards artist
The innocent gaze, oil on canvas, 2025

“My work has evolved over time, Boluwatife says. “While earlier I explored other subjects such as market scenes, portraits have become my primary focus. They fascinate me. Now I work with oil on canvas, but I’ve recently been exploring watercolors. “I work with oil paints to achieve a high level of realism, focusing on capturing the subtleties of light, texture, and color. I’m meticulous about getting the proportions, expressions, and nuances of my subjects just right, aiming to create a lifelike representation. I’ve gone from realistic portraits to portraits achieved with freer brushstrokes.”

Painting of young woman, hair up, with dangling earrings
Orekelewa, The Beautiful Lady, watercolor on paper, 2025
Painting of woman with paint dripping down canvas
The Woman of Virtue 2, acrylic wash on canvas, 2025

Boluwatife paints portraits from life and mostly from photos. He often starts by drawing his subject, but sometimes begins with loose brush strokes and color patches, gradually adding details. His watercolor technique involves blending colors and creating subtle shifts in tone and texture.

He credits the influence of renowned Nigerian realist Adeyemi Ramon Omolaja, particularly his attention to detail, emotional depth, and creative use of colors. He notes his own artistic style deeply rooted in his African heritage and inspired by intricate patterns, symbols, and mythology.

Painting of book in foreground, face of an old man, middle aged man, and child above/behind it
3 Facets of a Living Legend, Professor Woke Soyinka, oil on canvas, 2025

Boluwatife’s models are often people around him, including friends. A notable portrait, 3 Facets of a Living Legend, was commissioned of Professor Wole Soyinka for an art exhibition celebrating his ninetieth birthday. “I sought to capture three stages of his multifaceted life—his childhood, youthful age and old age,” he says.

Painting of older man's face in background, lower left has 2 men on bicycles
Wole’s Escape, oil on canvas, 2024

One of Africa’s most celebrated and influential writers, Soyinka is a champion of human rights and democracy. His writing is often infused with Yoruba mythology and culture. Soyinka’s memoir, The Man Died: Prison Notes, chronicles his experiences in prison from 1967 to 1969. A testament to the human spirit’s capacity to endure and resist oppression, says Boluwatife, the memoir details the harsh conditions, physical and emotional torture, and the struggles he faced to maintain his dignity and creative spirit.

Photo of older black man, holding a portrait of himself, standing next to younger black man
The Father of African Art, Professor Bruce Onobrakpeya, oil on canvas, 2025

Boluwatife was also commissioned to paint a portrait of the renowned printmaking artist, professor Bruce Onobrakpeya who established the Harmattan Workshop. The workshop is an inclusive space for art lovers and artists of all backgrounds to learn, unlearn, and create. Boluwatife attended the Workshop in 2024 and 2025. Here he saw other artists working in watercolor and began exploring the medium. His experience with Onobrakpeya led to painting his portrait and later presenting it to him at his home.

Boluwatife’s growing success is applauded by his parents. “My parents now think highly of my craft; they believe it can pave a better way for me,” he says, adding that he is also a passionate advocate for education, and community empowerment.

Painting of young woman's face, wearing a scarf
Untitled, watercolor on paper, 2025
Painting of young boy's face, looking straight at artist
Beholding, watercolor on paper, 2025

In the future,” says Boluwatife, “I want to use my art to highlight the struggles and triumphs of individuals and communities. I believe that art has the power to transform lives, challenge societal norms, and inspire positive change. I want to continually tell my own story through my work and create pieces that resonate with people’s perspectives on life.”


Sholanke Emmanuel
A resident of Lagos, Nigeria, Sholanke Boluwatife Emmanuel’s work has been featured in various publications including Paper Lantern Literary Magazine, Blue Marble, Pawners Paper, World of Possibility, and Black Pages Magazine. His painting of professor Wole Soyinka was shown at SNA exhibition Ogun chapter in 2020. He recently showed his paintings at kunst-und keramik studio in Vienna, Austria.

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