Ceramic artist Judd Jarvis finds a thoughtful middle ground between form and function.  It’s tempting to suggest that Virginia’s famous red clay soil lured potter Judd Jarvis from the Midwest’s dark earth to Charlottesville. Jarvis’s ceramic artistry is far removed, though, from the utilitarian brick that surrounds us, and even a far cry from the negative-space narratives of ancient Greek red-figure pottery. His work is proof that ceramics, despite the simple functionality that so many people expect of it, is art for art’s sake in the right hands. “I used to be more hung up … Continue reading Pots for Art’s Sake: A Look at Judd Jarvis’s Work by Russell Hart →