Most things, no matter how trite and mundane, have intrinsic beauty or interest when presented in just the proper way. This is the core premise underlying Forensic Foraging, an alternative technique for digital photography. This emerging motif employs the same throwback principles that made color photography great during the heyday of the New York School, perhaps beginning as early as the 1940’s with Saul Leiter. Creative framing, high contrast, and very heavy color saturation are key elements. Moreover, the forage, borrowed from early forensic crime scene photography, employs the intense sifting, sorting, and shooting of … Continue reading William Crawford’s Forensic Foraging →