Lots of people have gotten credit for the literary adage advising writers to kill their darlings. In fact it was Arthur Quiller-Couch. I think. Anyway, the exhortation is important because it acknowledges how scribes sometimes become overly attached to “ornaments” of their own creation. As your piece evolves, plot twists and descriptions may no longer serve you. Characters, too, may overstay their welcome. Even really, really good ones. (Move along. Here’s your hat, what’s your hurry?) The positive news is that when you cut something from your current work, you don’t have to actually vaporize … Continue reading The Closet Full of Darlings by Erika Raskin →
I once wrote a piece for Publisher’s Weekly about how even people who are terminally disorganized can craft novels. I offered a five-step alternative to the (impossible) task of manufacturing a pre-writing blueprint. Of these: one-sentence plot description writing what you know asking what if retrofitting action and, creating three-dimensional characters It is the final that is most crucial. In order for your narrative to take off, your cast needs to be sketched out (with well-rounded backstories that include things like the meaning of hidden tattoos, food allergies, wardrobe choices, cat or dog preference, conversational … Continue reading Put Some Meat On Their Bones by Erika Raskin →
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