Conceptual Art by Peter Allen


 

  Having been interested in both visual art and writing/poetry since I was able to pick up a pencil or paint brush, it seemed natural to eventually want to combine the two somehow. In the 1980s, I began exhibiting work with a visual art piece and a companion poem together. Then in the 1990s I started stenciling words together with the visual elements. In the last twenty years or so I have endeavored to combine entire poems with a visual element, sometimes two or more poems are meant to work with a single image.   … Continue reading Conceptual Art by Peter Allen

How To Survive The Buffet by Jessica Mendoza

Photo of party guest's hand holding food
 

  You’re twenty. Fresh-faced. Everyone else in this writing cohort is watching you, rubbernecking, wide-eyed, pale. They can smell the blood in the water. They know you are going to say something, you must say something. Silence is not an option. The woman who submitted the piece is proud of it. Proud. Admittedly, her prose is clean, precise, purposeful. She has her MFA. She’s earned it. She uses it to write about people whose suffering she could never begin to comprehend. Her little scrap of prose chronicles the murder of a fictional anonymous boy in … Continue reading How To Survive The Buffet by Jessica Mendoza

Bookends by Elizabeth Dudley Wilbur


 

As a very small child I learned language just like all small children. Only in my case there were some mysterious words that took me years to sort out their true meaning. There were words like Amtrak, lugao, Santo Tomás, Los Baños, Baguio, paratroopers. These words were part of my family life and lore. They were the words of World War II internees (another one of those words!). I played with my mother’s crutches, pretending to walk on them by putting my arms where her hands went. I watched my brother put on his leg … Continue reading Bookends by Elizabeth Dudley Wilbur

Meeting Myself on My Morning Walk and Cheney’s Cafe, 2 poems by Rodney Torreson

sidewalk cafe with red, white, blue table
 

Meeting Myself on My Morning Walk …..a long look up into branches I’ll see him, ………………his blond hair in a butch I wore more than fifty years ago. ………..Where wind currents swell every which way, ……………..a tree where limbs are bustling, ………….his arms around a pair of branches, ………………he’ll thrust them away and draw them back in, ………………somehow getting the whole tree …………heaving in his sway, ………………anything for my attention, …..his face filled with sun, ……………his eyes alive, his jaws wrangling ………………with a wad, while below, on the sidewalk ……………….the sweet scent of Bazooka as … Continue reading Meeting Myself on My Morning Walk and Cheney’s Cafe, 2 poems by Rodney Torreson

A Taxonomy of Lists by Fred Wilbur

Photo of note pad, holder, and pencil
 

    As a youngster, I watched my father slice out-of-date reports whose 8 1/2 x 11″ sheets had blank back sides; the pivoting knife of the paper cutter with its own whoosh sound, produced 3 x 5″ slips. He warned me to mind my fingers. He made a little box with half cover in his basement shop to hold the repurposed pages. My mother then painted flowers on it to marry the artistic to the practical. This box resides on my telephone table in the back hall, quaint along side our landline and answering … Continue reading A Taxonomy of Lists by Fred Wilbur

Ahab’s Widow and Two Songs, 2 poems by J. R. Solonche

Photo of house at dusk
 

Ahab’s Widow I wait for him as every whaler’s wife. I write him letters every day. I tell him how he grows bigger and stronger. I tell him of his first words and of his first walk on his own. I write, “What a lovely little pip he is.” I write, “I call him that sometimes, instead of Malcolm.” I write, “Rachel says he’s often mischievous.” I write, “Come home to us safely.” At dusk, as the sun goes down behind the white clapboard house and the elms’ shadows reach out across the lawn to … Continue reading Ahab’s Widow and Two Songs, 2 poems by J. R. Solonche

Whiskey Island Mango Salad by Janine De Baise

Photo of salad with fruit
 

Whenever I say that my extended family camps together in the summer—living in tents, cooking over the fire, and bathing in the river—someone will ask, “And you all get along? For a whole week?” Sure, I say. Of course, I’m lying. My family includes my seventy-something father who loses his temper if he doesn’t get an afternoon nap, my sister Carroll who just stops talking at the first sign of trouble, my sister Laurie who has been known to threaten family members with a sharp knife while making fruit salad, my brother Kevin who refused … Continue reading Whiskey Island Mango Salad by Janine De Baise

New Works by Rachel Coyne


 

  My goal in approaching each new painting is to create something both pretty and uncomfortable. The colors and compositions—largely focused on nature—are traditional bubble gum fare that is pleasing to the eye. But then there are too many eyeballs. Is the painting watching the viewer? Why?     I mean for the experience to be at least slightly unsettling. If you don’t look too closely, you might think—“well that might be pretty to hang above my couch.”  But then you do look closely and decide, maybe not (depending on your social circle). My own … Continue reading New Works by Rachel Coyne

The Piñata by Dana Robbins

Photo of brightly colored fringes
 

  It was my granddaughter’s fourth birthday party. I, old lady with cane, was sitting in the shade on the side, then made my way cautiously to watch the children hit the piñata with a plastic bat. (In my support group for survivors of sexual abuse, one man told of being hung and whacked just like that; he had black circles under his eyes from never sleeping.) The first few hits yielded no shower of candy and toys. The kids tried again, whacking harder and harder, even the littlest, while the adults yelled raucous encouragement. … Continue reading The Piñata by Dana Robbins

Photographs by Steve Patterson

Photo of victorian house
 

                      Though many photographers have influenced me, the top three are Edward Weston, Richard Misrach, and Joel Meyerowitz. Besides his masterful compositions and tones, Weston taught me that simple reality is never simple. Misrach’s desolate but gorgeous images deepened my appreciation of color, even when shooting objects not normally considered photogenic. Meyerowitz’s Cape Light photographs most influence my current work, leading me to search for images that utilize pure colors to suggest stories, moods or memories. One Meyerowitz picture, taken around dusk, haunts me: an … Continue reading Photographs by Steve Patterson

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