Category Archives: Street Talk

Drawings and Collages by Jack C. Buck


 

  I wholeheartedly believe in the power and value of art—whatever the avenue. The act of trying is the underlying variable of my art education, from solely writing poetry to putting energy towards visual poetry, drawing and collaging.   My collages are made from cut paper and pen, followed by photographing (digitizing), digitally manipulating and modifying to add more elements. For art/drawing, my informal education originates from being influenced by creative friends in college. Being in the same space and sharing each other’s creative projects is still motivational. There is power in collective energy. I’ve … Continue reading Drawings and Collages by Jack C. Buck

A Special Day by Miles Fowler

Black and white photo of the liberty bell
 

Was I crazy to want to attend two different public events on a single hot summer’s day? Maybe, but after two years of the Covid pandemic, there were a couple of Fourth of July events I really wanted to attend. The first was two events in one: the July Fourth Independence Day Celebration and Naturalization Ceremony at Monticello, which is the historic home of President Thomas Jefferson, located just outside of Charlottesville. And this year, I actually knew someone who was taking the oath of citizenship, a woman who goes to the same church we … Continue reading A Special Day by Miles Fowler

Beholder by Erika Raskin

Photo of shards of broken blue dish
 

I went on a museum field trip not too long ago and had a revelation. I’m sure I’m not the first person to have pondered the following—but isn’t it wild to think that all sorts of currently priceless artifacts may well have started off as gee gaws shoved in the junk drawers of days of yore? I mean the pottery fragment on display could have come from a set of unregistered-for-salad plates some caveman’s new bride couldn’t put in the give-away bag fast enough. Or you know, accidentally dropped. In other words, it’s entirely possible … Continue reading Beholder by Erika Raskin

Abortion Decision Life-or-Death for Some by Celia Rivenbark

Photo of protest, sign says "March Like Your Future Depends on It"
 

We had been married a little over a year when I had an abortion. Put down your rocks and torches. If I had not had the abortion, I might well have died. Not so simple now, is it? If I had been your wife, your daughter, your sister, your friend. I had an abortion because I had a molar pregnancy in which a tumor forms in place of a normal placenta. Your body, and your blood work, doesn’t know that yet. You have a positive pregnancy test; you celebrate; you even buy a couple of … Continue reading Abortion Decision Life-or-Death for Some by Celia Rivenbark

Stories by Sharon Ackerman

Mother holding a baby next to a mountain
 

I Like the Story Of the watch my father gave my mother how it stopped whenever they fought, except that is not the full story, the whole one. In the beginning there was a hard-earned dollar then another and another in a jar. And a jeweler in Hazard on a bull hot summer noon, the boy charging in, a gold chain paid to his keeping, and his face, which glowed but did not show yet that love is a stop-start thing unwound and lapsed into the silence of a drawer. Collecting years of bitter dust, … Continue reading Stories by Sharon Ackerman

Innocence Abroad by Miles Fowler

Photo of cloth napkins
 

I spent a month in Europe in 1998, doing research for a novel I was planning to write (and still plan to finish). The trip brings back memories, some delightful and others regretful. Often, both had to do with language. I really only speak one language. Even then, I often meet English words I do not know, and it humbles me. So, before I set off, I memorized a few set phrases in French and German, some having to do with negotiating food and lodging, and others to get a sense of where things were … Continue reading Innocence Abroad by Miles Fowler

Photographs by Peter Filene


 

  Two “aha!” moments have erupted during my career as a fine arts photographer. But rather than lightning bolts from on-high, they arrived as a voice—my voice—exclaiming, “why not!” At each moment, my photography swerved in a new direction. I began shooting seriously in the 1970s, alongside my career as a U.S. history professor at UNC, Chapel Hill. I was teaching an undergraduate seminar on “American Photography and American Culture.” Inspired by the work of Alfred Stieglitz, Walker Evans, and Robert Frank, I bought a Nikon FM, took workshops at Maine and RISD, and prowled … Continue reading Photographs by Peter Filene

Bookends by Elizabeth Dudley Wilbur


 

As a very small child I learned language just like all small children. Only in my case there were some mysterious words that took me years to sort out their true meaning. There were words like Amtrak, lugao, Santo Tomás, Los Baños, Baguio, paratroopers. These words were part of my family life and lore. They were the words of World War II internees (another one of those words!). I played with my mother’s crutches, pretending to walk on them by putting my arms where her hands went. I watched my brother put on his leg … Continue reading Bookends by Elizabeth Dudley Wilbur

A Taxonomy of Lists by Fred Wilbur

Photo of note pad, holder, and pencil
 

    As a youngster, I watched my father slice out-of-date reports whose 8 1/2 x 11″ sheets had blank back sides; the pivoting knife of the paper cutter with its own whoosh sound, produced 3 x 5″ slips. He warned me to mind my fingers. He made a little box with half cover in his basement shop to hold the repurposed pages. My mother then painted flowers on it to marry the artistic to the practical. This box resides on my telephone table in the back hall, quaint along side our landline and answering … Continue reading A Taxonomy of Lists by Fred Wilbur

New Works by Rachel Coyne


 

  My goal in approaching each new painting is to create something both pretty and uncomfortable. The colors and compositions—largely focused on nature—are traditional bubble gum fare that is pleasing to the eye. But then there are too many eyeballs. Is the painting watching the viewer? Why?     I mean for the experience to be at least slightly unsettling. If you don’t look too closely, you might think—“well that might be pretty to hang above my couch.”  But then you do look closely and decide, maybe not (depending on your social circle). My own … Continue reading New Works by Rachel Coyne