Elizabeth Howard

  •  

     

    Geoffrey Stein, intrigued with “the seen and unseen,” employs paint and collage to reveal portraits of power and vulnerability.

    “I paint to find out what I think about the world; to discover t […]

  • Elizabeth Howard changed their profile picture 9 years, 10 months ago

  • By Phyllis Leffler
    American cities can and should be places of civic history and civic virtue. Most are not. My city of Charlottesville is not – despite its progressive government and mostly well-intentioned c […]

  •  

     

    Winter white. Snow White. Bone white. Wedding gown white. Pearl white. Lilly white. White knight. White lies. White lightning. White hot.

    Whether cold or steamy, saintly or seductive, ghostly or s […]

  • I had a fantasy when I began volunteering for the International Rescue Committee (IRC) in Charlottesville. I would help newly arrived refugees document their identities, tell their stories and illustrate […]

  •  

                                

     

    For photographer Andrew Shurtleff, the goal in covering sports and political events is “to report the story — whether winning or losing — through photographs. I l […]

  •                       Balancing Craft and Business…

     

    Sharyn McCrumb, known for her Appalachian “ballad” novels, including The New York Times best sellers The Ballad of Tom Dooley, The Ballad of F […]

  •  

    Rick Weaver seems an artist equally interested in what can and cannot be seen. Whether working with paint brushes, carving tools or modeling clay, his creations blend the subject at hand with what he […]

  •  
                                                LOOK3…
     
    June 10-13th all eyes will be on LOOK3, Charlottesville’s stellar photography festival now in its seventh year. The town will host numerous famous […]

  •  

     

    Birds in residence are the stuff of metaphors and dreams for New York City artist Dina Brodsky.

    Mysterious feathered fowl — from crows to blue jays — land in unexpected interiors, their res […]

  •  

     
        What is the difference between illustration and fine art? 
     

    Streetlight’s featured artist Kate Samworth, and Nick Clark, former Chief Curator and Founding Director of the Eric Carle Museu […]

  •  

     

    Imagine a world without bird song. A world without bird beaks, long, sharp and charmingly curved. A world without feathered wings red, gold and green.

    Artist Kate Samworth did, in fact, imagine s […]

  •  

     

     

    “I have an attraction to Berlin, especially the 1920s, when it was an art and science haven for the best and the brightest. I am also fascinated with German Expressionism, and many of the ar […]

  • Photographer Sam Abell is a seeker, camera in hand. A National Geographic staff photographer for 33 years, Abell has traveled from Japan to Newfoundland, from Australia to Russia discovering and shooting […]

  •  

    Chroma Projects enjoyed four exciting years of being able to introduce and exhibit art in our glorious space on the (Charlottesville) Downtown Mall. But all things being eventually subject to change, we […]

  •  

    Western photographer Katherine Minott moves in close in color and black and white.

    Her closeups — abstracts as well as things recognizable — explore “the beauty hidden in every day objects, the sacred […]

  • Charlottesville’s Les Yeux du Monde Gallery is presently exhibiting a solo show by mixed media painter and landscapist Anne Slaughter, profiled earlier in Streetlight. Slaughter is known for her layered s […]

  • Load More

Streetlight Magazine is the non-profit home for unpublished fiction, poetry, essays, and art that inspires. Submit your work today!