Since changing paths on my photographic journey about three years ago, I continue to find great excitement and inspiration—as well as endless thematic possibilities—while experimenting with light painting techniques. I think of these techniques as a photographic toolkit that I use to emphasize the precise lighting of a subject and to capture with numerous separate photos, then layering/blending them in Photoshop to create the final whole photograph. Like any set of tools, they become more comfortable and versatile the longer I work with them. Less attention is required to use the tools properly. Less time … Continue reading New Visions by Fax Ayres →
My mother gave me her old Nikkormat camera when I was 13 years old. She’d spotted my interest in books of photographs by Ansel Adams and Edward Weston and set me on an evolving path. I used the Nikkormat as a photographer and Editor-in-Chief of our weekly paper at the Taft School and again at Northwestern University’s newspaper. My Nikkormat was in hand during six years in Alaska, including three years in Gustavus at the mouth of Glacier Bay National Park where I basked in views of icy straits and was lucky enough to have a … Continue reading Looking for the Light: Fax Ayres’ Photographs →
New York artist Bob Kulicke always said he didn’t want to be the biggest collector of his own work. Whether as a direct result of this attitude or not, he painted the most refined, nuanced, exquisite pictures, kept the prices tantalizingly low and sold at least 95% of everything he painted. An absurdly generous man, he gave most of the rest away. He was in no danger of becoming his own biggest collector. Owning a painting of his routinely led buyers to become obsessed with owning more, and many of his collectors owned 20, 30 … Continue reading Flowers, Fruits and Frames: Art of Bob Kulicke →
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