Some of America’s greatest photographers roamed the country by automobile. They forever changed the context of artistic imagery. They eventually replaced traditional monochrome with color, and they shot the unnoticed aspects of the backside of our country. Stephen Shore, Bill Eggleston, and Lee Friedlander were well known, working members of this New York school of photography. I am their present day disciple. An avid minimalist shooter, I helped to invent “forensic foraging,” a throwback approach to modern digital photography. The heavily saturated, vivid color of these pictures drive the work. The subject matter is often banal … Continue reading William Crawford’s DRIVE BY SHOOTING →