I have worked with children in Bosnia, crocodiles in Mexico, frogs in Puerto Rico, egrets in Bali, mushrooms in Montana, archaeologists in Spain, butterflies in Los Angeles and lectured on island evolution and marine biology on cruise ships in the South Pacific and Caribbean. I believe the same skills one uses to understand science are those used for art. Impartial observation of what is before me. Then I concentrate to see the underlying colors and shades in each white wall or dark shadow. I’m an ardent naturalist and love animals. I was the founding … Continue reading The Art of E.E. King→
I grew up in Virginia Beach where I witnessed damage and destruction of rural and natural lands for the lie called development. I feel levels of anger and disappointment when I see greed eclipsing nature. As poet Gerard Manley Hopkins wrote, “Aftercomers cannot guess the beauty been.” I now drive around Eastern Virginia and North Carolina and search for ways to preserve rural and natural beauty. This beauty manifests to me in rusting barns, abandoned homes, churches and schools, forgotten tractors, trucks, and plows, as well as … Continue reading Beauty of Decay: Photographs by Daniel Pravda→
Some of America’s greatest photographers roamed the country by automobile. They forever changed the context of artistic imagery. They eventually replaced traditional monochrome with color, and they shot the unnoticed aspects of the backside of our country. Stephen Shore, Bill Eggleston, and Lee Friedlander were well known, working members of this New York school of photography. I am their present day disciple. An avid minimalist shooter, I helped to invent “forensic foraging,” a throwback approach to modern digital photography. The heavily saturated, vivid color of these pictures drive the work. The subject matter is often banal … Continue reading William Crawford’s DRIVE BY SHOOTING→
On walks, I find feathers, seed pods, pieces of wood, leaves, flowers, sticks, papers, plastic and metal things, pieces of glass, strings, all objects that were useful in some way before they were dropped or lost. They served important purposes and then they didn’t. Some fell from trees, from birds, from pockets, the undersides of cars, or from the hand of a distracted walker like me. I find these little things visually interesting. … Continue reading Susan Patrick: Debris into Drawings, Paintings and Sculptures→
Travel has always been important to me. It’s about adventure, experience, and cultures that are different from my own. Cuba intrigued me for all these reasons. In 2018, I felt it would be a fleeting opportunity and a friend and I were excited to take advantage of it. Nature is not forgotten in the city with vines growing throughout the crumbling buildings, seeming to be slowly reclaiming its place. The colors were simultaneously brilliant and worn. As an artist, I found this beautiful decay inspiring and mesmerizing. These buildings, which most … Continue reading Cuba Updated: Photographs by Susan Kalergis→
I went to see the Juneteenth rally in Richmond because I’ve always been drawn to stories, to seeing things unfold. Beneath the grand statue of Robert E. Lee, a large crowd gathered. Songs were sung and words were said, stories told. People spoke of hope and change and the wish for better lives for their children going forward. There were no riots, only a gathering of what seemed to be good people trying to push change. There were plenty of kids dancing and playing, … Continue reading Time for Change: Juneteenth Photos by Mark Atkinson→
Sometimes I am asked to compare current artwork to pieces of the last few years. I can only do so in the most general terms: the images of my newer digital paintings may be a little sharper and colors dance a bit more. But such changes are not magic or part of a grand scheme, simply more experience and better insight, i.e, diligence and luck. I consider my paintings as “emotional landscapes.” I have a penchant to use color and shapes as atmospheric perspective. I want the viewer to be surrounded by them, then … Continue reading New Work by Edward Michael Supranowicz→
Yasser Alaa Mobarak grew up in Alexandria, Egypt. When the Egyptian Revolution started in 2011, he was an eighteen-year-old teenager. “The protest took place in Shatby Station, Alexandria. It called for freedom and social justice. I was keen on documenting the new events taking place in my city which I had never witnessed before. I used my compact camera and mobile phone,” he says. “I use photography as a tool of self-expression and documentation. Photographer Dorothea Lange said the camera is an instrument that teaches people how to see without a camera. I studied … Continue reading Yasser Alaa Mobarak: Seeing the Moment→
March 19. It was the first day of spring. Cardinals trilled at dawn. Trees were starting to smudge pink, white and green. I smelled mulch, and fresh, overturned earth. Beauty and hope were in the air. And there too was the invisible dread, the dark underside, the quietly, stealthily spreading Covid-19. I wondered if it was safe to have contact with friends across the street, across town, those recently returned from other states and foreign ports? President Trump had recently declared a national emergency. My husband, John, and I qualify as “elders,” however … Continue reading What to Do in the Days of Corona Virus? by Elizabeth Meade Howard→
Photography for me started as a hobbyist’s yearning for perfectionism and how to depict it using one of the simplest formats—the photograph—rather than any real try at becoming a professional. Over five years ago, Instagram and an inexpensive smartphone paved my way into this realm of scenes, colors and shapes. Mostly my most private bliss when capturing the moments led me to continue and eventually get my first and only DSLR, the beginner’s Nikon D3300 and its standard kit lens. And although as a photographer it’s difficult to rely exclusively on the art in … Continue reading “Minimalist” Photos of Ricardo Elisiário→
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