Julia Aurora Travers likes to mix it up. Her creative talent and social concerns combine in various venues—as artist, designer, writer and teacher. A native of Hampton, Virginia, Travers now lives in Charlottesville where she teaches preK classes and designs locally as well as a volunteer for CitySquare, an anti-poverty, non-profit in Dallas, Texas. She recently completed a graphic design internship with The Atlantic Post, an international online news journal. She and her husband, Jeff, have co-written and illustrated a new children’s book, Sylvie and Foster. Travers’ community art efforts span from an elementary school … Continue reading Mixing It Up… Art of Julia Aurora Travers→
Charlottesville, Virginia, where Streetlight operates from, is full of Ph.D candidates, post-docs and masters students, thanks to Mr. Jefferson’s University. Amid all the academic types, a person without some kind of post-graduate education can sometimes find herself feeling a touch inadequate. There. I said it. Luckily, for those of us without the focus, freedom, or finances, formal knowledge is as accessible these days as frozen yogurt. Personally, I’ve found my university in the pages of The New Yorker and in the sweet sounds of Radiolab, an NPR podcast. Podcasts are a newer medium for me, listening to “radio” … Continue reading Radio Star→
In 1983 I gave up on acting. I was a sophomore in college. It was not an easy choice. Since junior high, I had been convinced I was going to be America’s answer to Laurence Olivier. I had chosen to attend California State San Francisco because their Theater Arts department was aimed at training for the realities of a career in stage, film, and television and I loved the limelight. But, it turned out that the program’s realistic approach to careering, the emphasis on cultivating commercial skills —feeling no shame singing and dancing … Continue reading Poison and Antidote→
Thanks, Jim This is by way of being a thank-you note to Jim Bundy, whose excellent blog of April 28, this year, so well demonstrated what it is to think metaphorically on the subject of street light. The “blurring of streetlights and angels” indeed. That challenge to “transcend the separateness” seems to me to be a very appropriate gauntlet for Jim to throw down not only before himself, but before the editors and potential contributors to this magazine. And certainly, its readers. The unromantic fact, of course, is that the present editors of Streetlight Magazine … Continue reading Thanks, Jim→
A Writer Retreats I was on a quest. A quest for a room of one’s own to finish my draft, far from the hurly-burly of New York City. A lucky Google search led me to The Porches Writing Retreat and a photo of an antebellum house in the James River Valley of Virginia and the Blue Ridge Mountains. Ladylike and pristine, she’s perched in all white on top of a green hill. The lower porch is wide, welcoming and wears azalea and iris and every manner of flowers by day. Her lines are elegant, her … Continue reading Green Fields. Blue Mountains. A White House. A Yellow Dog.→
The mystery will be solved on Saturday at six. The Virginia Center for the Creative Arts (VCCA) will unveil “The Commission” at Morven Farm in Charlottesville on Saturday May 10th. This year’s Commission — “Coming to Know What We’ve Always Known” — showcases a collaborative art installation created for one night only. Proceeds from the gala fund-raiser will afford future artists time at the VCCA working retreat in Amherst County. The 2014 winning Commission combines the imaginative work of VCCA Fellows, poet Sally Dawidoff and visual artist Georgia June Goldberg. Dawidoff’s poems have been published … Continue reading Mystery Revealed at Morven Farm→
When I recently encountered STREETLIGHT for the first time, I found myself wondering about the name, why it was chosen, what associations it is meant to evoke. Then as I explored the magazine I ran across Susan Shafarzek’s blog of February 10 in which she addressed the question of “why the name Streetlight” and invited “further comment.” I decided to accept the invitation. Of course I am in no position to say what the editors may hope to communicate, only to offer my own idiosyncratic response to the name. It led me to recall a … Continue reading Boundaries→
“If we can’t educate you, we’ll make a pet of you, or sacrifice you.” This from Jean Sampson in her class Gutsy Abstract Oil Painting at The McGuffy Art Center where Jean is a resident studio artist. This is a joke at the expense of the lone man in the classroom and because I often find myself the lone man, I hadda laugh. Ladies, you do know we LIKE these kind of jokes, right? “The painting just sits there, asking, demanding, what are you gonna do to me?” Jean and I look at a canvas … Continue reading Allowing To Be Led→
The recent New York Times news article asking the question: “Where Are the People of Color in Children’s Books?” was painful for me. Because I know where one of them is – on my desktop, unpublished. It wasn’t supposed to happen that way. Soon after I finished writing The Boy Who Moved a Mountain, it was accepted by a literary agent and then sold rather quickly to a major publishing house. It advanced through various stages of the editing process. Julian Bond wrote a blurb for it. It was assigned ISBN and Library of … Continue reading Still Waiting to Move a Mountain→
Another April means another month of celebrating poetry across the country. Admittedly, this surprises me every year. That many people care about poetry? Walt Whitman would slap me in the face, and he’d be right to. But then I remember what Rainer Maria Rilke said: “For poems are not, as people think, simply emotions (one has emotions early enough)—they are experiences.” And what Wallace Stevens said: “The poet is the priest of the invisible.” In light of NPM, here are a few local and national going-ons. If nothing else, reach out your hand and take one of … Continue reading National Poetry Month→
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