I went to see the Juneteenth rally in Richmond because I’ve always been drawn to stories, to seeing things unfold. Beneath the grand statue of Robert E. Lee, a large crowd gathered. Songs were sung and words were said, stories told. People spoke of hope and change and the wish for better lives for their children going forward. There were no riots, only a gathering of what seemed to be good people trying to push change. There were plenty of kids dancing and playing, … Continue reading Time for Change: Juneteenth Photos by Mark Atkinson→
Yasser Alaa Mobarak grew up in Alexandria, Egypt. When the Egyptian Revolution started in 2011, he was an eighteen-year-old teenager. “The protest took place in Shatby Station, Alexandria. It called for freedom and social justice. I was keen on documenting the new events taking place in my city which I had never witnessed before. I used my compact camera and mobile phone,” he says. “I use photography as a tool of self-expression and documentation. Photographer Dorothea Lange said the camera is an instrument that teaches people how to see without a camera. I studied … Continue reading Yasser Alaa Mobarak: Seeing the Moment→
Photography for me started as a hobbyist’s yearning for perfectionism and how to depict it using one of the simplest formats—the photograph—rather than any real try at becoming a professional. Over five years ago, Instagram and an inexpensive smartphone paved my way into this realm of scenes, colors and shapes. Mostly my most private bliss when capturing the moments led me to continue and eventually get my first and only DSLR, the beginner’s Nikon D3300 and its standard kit lens. And although as a photographer it’s difficult to rely exclusively on the art in … Continue reading “Minimalist” Photos of Ricardo Elisiário→
I’ve been interested in photography since I was twelve years old. I grew up in North Miami Beach in a predominantly immigrant neighborhood. In middle school, my mother sent me about an hour away to a school in South Miami. She wanted me to see and experience things that were different than what was in my immediate environment. The school happened to have an arts magnet program that included photography. At the time, I didn’t have a real camera. My mother bought me disposable ones from the pharmacy. Whenever I had assignments … Continue reading Vanessa Charlot: Documenting the Haitian Diaspora and Beyond→
New England is fertile ground for any photographer, and I enjoy drawing from this environment. I’ve long had a love of taking pictures. There’s the heft of a camera, the frustrating magic of lens, light, and alchemy of movement—the frozen awkward smile, or the contemplative stare unknowingly observed and crystalized in time. I took a photography course in high school and I’ll never forget the awe of first seeing Ansel Adams’s landscape photography. The expansive views, the richness. Until then, I didn’t know black and white photography could actually be that expressive. Unlike Adams, I don’t do … Continue reading Jenny Rossi: Many Shades of New England→
I grew up in Southern California with a darkroom in my garage. My father, grandfather and great-grandfather were all photographers. As a child I didn’t spend much time with photography, even though I was around it. I saw how photography was a way for them to document their world and how much joy that brought them, something I realized for myself later in life. I became interested in photography in my early twenties. I am self-taught. Now in my early forties, I’m still learning. I am inspired by the work of Claude Cahun, Francesca … Continue reading A Light Touch by Jennifer Lothrigel→
Body painted women. Haitian orphans. Black Elvis. Models for hip-hop and Votre Nom. The homeless. A budding coquette in the summer sun. These are but a few of the fascinating faces caught in telling moments by photographer Mark Edward Atkinson. A native of Fayetteville, North Carolina, Atkinson now lives in Virginia Beach where he is creative director of Otto Design and Marketing. A writer and documentarian whose portfolio includes films, landscapes and still lifes, his portraits of people from near and far are especially arresting. “I love the unexpectedness of people,” he says. “The … Continue reading Portraits by Mark Edward Atkinson→
I began making photos, suddenly and unexpectedly, in 2005, when a dear friend was diagnosed with cancer. Making photos help me to fill temporal-spatial, psycho-social holes and, on rare good days, to enjoy the flow. Other than that, as Wittgenstein wrote in his Tractatus, “Some things can not be put into words. They make themselves manifest. They are what is mystical.” Now, my cRaZy quilt background is unrelated to my photography. I earned graduate degrees in both business administration and philosophy and consulted/taught higher education for 30 years at two community colleges and … Continue reading Photographs by James Ray Paradiso→
Since changing paths on my photographic journey about three years ago, I continue to find great excitement and inspiration—as well as endless thematic possibilities—while experimenting with light painting techniques. I think of these techniques as a photographic toolkit that I use to emphasize the precise lighting of a subject and to capture with numerous separate photos, then layering/blending them in Photoshop to create the final whole photograph. Like any set of tools, they become more comfortable and versatile the longer I work with them. Less attention is required to use the tools properly. Less time … Continue reading New Visions by Fax Ayres→
My selected photographs belong to two different periods and locations but stem from similar motivations. They are studies, each leading to the next image, knowing that images birth one another. They are all connected as, in reality, they are the inner life of the creator. As for the effect, I place the objects, or find the objects as they are. I try a number of angles, and lighting conditions so I am not necessarily sure of what the final product will be. I shoot hundreds of images of the same subjects as I move around … Continue reading The Photography of Fabrice Poussin→
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