The Photography of Kimberly Flynn

Photo of calla lily with reflections of light
 

  I began photographing at sixteen when I got my first paycheck from the local movie theater to purchase a 35 mm film camera, a Canon EOS Rebel G. The camera then never left my side the rest of high school. I was compelled to document everything from nature to the people in my life. As life progressed, photography may have taken a backseat, but I always found my way back to it. My book, Abstracted Distractions: teetering between here and gone showcases images from the past twenty years. My work explores images of nature … Continue reading The Photography of Kimberly Flynn

Red Sofa by Trudy Hale

Photo of red sofa
 

When I was thirteen, my mother left us. It was on a Sunday and she knew that Daddy, my brothers and I were away, visiting a family out on the old Nashville road. A moving van pulled up to the duplex and my mother emptied the rooms. Excited by the drama, neighbors watched from their front yards. My mother ‘stole’ the large Heriz oriental rug, the twisty verdigris wrought iron table, the African basket lamps in moss green linen shades—my friends had never seen such lamps. The hand-embroidered pillows, magenta and orange molas sewn by … Continue reading Red Sofa by Trudy Hale

Dee’s Salon by Jeff Ventura

Pink blossoms on branches
 

Jeff Ventura has earned an Honorable Mention in Streetlight’s 2022 Essay/Memoir Contest The love of a husband for a wife, of my father’s love for my mother, is scattered in my memory like peach blossoms after a spring storm. Sometime in the mid-to-late 70s, my mom—pregnant, and happy to leave the hot production floor of the Bonnie Lane pajama factory in New Bedford, Massachusetts—decided to open her own “beauty shop.” After all, she had graduated top of her class from the LeBaron Beauty School, and had, for a time, rented the best chair at the … Continue reading Dee’s Salon by Jeff Ventura

Missing by Ruth Spack

Silhouette of truck against cloudy, dark blue sky
 

  I found my calling on a bleak Sunday afternoon in the fall of 1958, standing at the edge of a fetid swamp, questioning why bad things happened to little children. It was the day four-year-old Billy Flynn disappeared. I was nine at the time, living in Pawtucket, Rhode Island with my mother and grandmother, in the kind of friendly neighborhood that was pretty common back then. That afternoon had started innocently enough, in the Flynns’ backyard, right after Halloween. Decked out in Stetson hats and feathers, a bunch of us boys were playing Cowboys … Continue reading Missing by Ruth Spack

Florida by Jessica McEntee

old man with hat tipped over face leaning against a tropical tree
 

This is the place that emptied my father, sucking him through the tunnel of its straw. Four days into a farewell visit, I’ve overdosed on sunlight, rousing the insomniac within. The grass is gravid with alligators; the air poses as sand; cars scaffold a melted wax of spent bugs. Everywhere, I see darkness edging, shadows twitching to keep pace—the gloom that magics the glass into mirror. Jessica Noyes McEntee is a fiction instructor at Westport Writers’ Workshop in Connecticut and a graduate of Amherst College. Her debut chapbook, Jackie O. Suffers Two Husbands, was published … Continue reading Florida by Jessica McEntee

Jurgen Ziesmann: When Science and Art Combine


 

  There are two loves in my life, two passions on which I spend countless hours. On one side the world of science, biology, physiology, cells and smells, counters with a microscope, computers with software for statistical analysis. On the other side is the world of painting, composition, shapes and structures, tables with brushes, tubes filled with pigments, and the scary white surface that waits to come alive with colors and lines. I believe that art and science have always gone hand-in-hand. My work resembles biology. I like to mimic the biological processes and allow … Continue reading Jurgen Ziesmann: When Science and Art Combine

Pandemic, 1918 by Eric Forsbergh

Photo of field with blooms sprinkled throughout
 

….1. France. Poppies blooming blood. Hedged by four sheets strung on wire, my grandparents spent their wedding night, December 1917: a New York married-barracks, moans muffled the night before the men shipped out. Three faces to a porthole on a transport ship. “Fish in a barrel” riflemen would say, sometimes with pity. Who would notice a patient in an Army hospital with a different kind of cough? ….2. Tennessee. Fields overflowing corn. As a girl, my wife heard it from her grandfather. Elmer could bear to tell it only once. He’d turned 18. After morning … Continue reading Pandemic, 1918 by Eric Forsbergh

Why Reading Books on Productivity Is the Worst Thing a Writer Could Do by Lauren Sapala

Photo of person with head in hands, hair mussed
 

Every year, hundreds of new books on productivity are published on Amazon. Out of all these books, a significant slice is dedicated to productivity for writers. Many of the titles promise to teach us how to write faster, how to schedule our time more efficiently, or how to publish our books more rapidly. But no matter what they promise, they all contain a common theme: The way you are working now is not good enough. You are too slow, and if you are too slow as a writer, you will get left behind. I shudder … Continue reading Why Reading Books on Productivity Is the Worst Thing a Writer Could Do by Lauren Sapala

Reliquary by Annie Stenzel

Photo of wrapped gifts
 

“Lose something every day. Accept the fluster . . .” (Elizabeth Bishop) Every once in a while I open one of too-many, tiny boxes, and there you are, bright stab of memory: My brave lover from long ago. I see you exactly as you were then, because time took care to preserve the details, the same way amber traps an insect for eternity. One could almost map the genome from this fossil: golden ring with its garnet chip. I used to wear it on my little finger. There are things we find that were never … Continue reading Reliquary by Annie Stenzel

Bedrock Poetry by Fred Wilbur

Photo of cracking yellow line in street
 

“An artist is said to be original exactly when he takes up the challenge of tradition and makes us see something more than we already knew.” Demetri Porphyrios. Classical Architecture.   I am a fundamentalist. But contemporary connotations dredge up all sorts of pejoratives that I want to dispel. I want you to understand fundamental. There are fundamental math equations, fundamental conventions of a civilized society (etiquette), of language use, rules of public road driving, of constructing a printed book, of lasting friendships, fundamental principles of civil rights in an educated and democratic country. In … Continue reading Bedrock Poetry by Fred Wilbur

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