No IOU’s where were we when the planet became death remember the small dark seed that shaped a new way remember when small and weak became large and capable and that when we tell the dead we see them the tragedy and the vengeance that fells a heart falls away and yes we fear change and fall apart when death arrives and yes we want the hands that feel the feet that walk the eyes that see even here at the edge where death wakes and strange events taste the mystery here we meet pray … Continue reading No IOU’s and The Path Ahead, 2 poems by Evalyn Lee →

  At times I almost convinced myself the Whitman photograph, signed, would be mine, instead of the Longfellow which hangs in the big room in airs chilly and wintry, night falling, as I listen for nonchalant Walt to appear. How the thought cheers me, singing still, for I called Nin’s father, “Dad,” seeing him rise up singing arumph arumph in his bass-o-roar-re-o: Whitman? Sure, he said. He was parceling things in a manner to appear partial to his son-in-law, yours truly, whose mine I learned not to shout, begetting such failures falling, even though another … Continue reading Shub’s Sestina for his Father-in-Law by Shelby Stephenson →

What’s Worthy “A man is only as good as his word,” my father used to say and I’ve tried to live up to that—even now I hate telling the smallest, inconsequential lie. In a scene from How Green Was My Valley one of the coalminer’s sons says to his coalminer father “If manners prevent us from speaking the truth, then we will be without manners” and I like to think my days of being without has been bountiful, despite some missteps my father must have committed too. On the whole, my father would have been … Continue reading What’s Worthy and Hue, 2 poems by Tim Suermondt →

which birds are out? you can count on your favorite ones, usually some finches here—-they arrive all-colored by the thicket from other people’s timbered properties & short-lived playgrounds, when it will smell like honeysuckle, you can count on that Colin Webb is a native of Baltimore, Md. His poetry has appeared or is forthcoming in White Wall Review, Apeiron Review, Cha: An Asian Literary Journal, The Northern Virginia Review, and elsewhere, and he has been a finalist for The Arch Street Prize. Follow us!

Duck prints score the pond, the one out my window, the one where an egret roosts come spring, the one where a blue heron fishes in summer, the one where nuthatches sip drips on the shoreline. It is still winter. I don’t know tomorrow except for penciled-in plans, scrimshaw on a calendar. I don’t know the future but for forked feet. Donna Isaac is a teaching artist who organizes community readings in the Twin Cities, Minn.; she curates and hosts the reading series, Literary Lights. Published poetry includes Footfalls (Pocahontas Press), a paean to growing … Continue reading Markings by Donna Isaac →