Tag Archives: Spring 2020

Full Circle by A.R. Bender

Photo of Tacoma
 

Not long ago, I walked along a rustic road that wound its way through a thickly forested area, taking in the sounds and sights of nature. Eventually the growth of trees thinned out and I came upon a somewhat ramshackle building situated behind a gravel parking lot. There I stopped, as if waking from a trance. Just a short time before, I’d been strolling in a neighborhood of stately, craftsman homes that were built during the time when Tacoma was first being settled in the late 1800s. From there, however, I must‘ve followed a road … Continue reading Full Circle by A.R. Bender

Midnight by Rochelle Jewel Shapiro

Escalators and building leading to a red tunnel
 

It was raining hard and Eunice’s husband, Oliver, insisted on getting the car from the lot and bringing it around to the front of Brucie’s, where they were regulars. You could get supper for two, dessert included, for twenty-eight bucks plus tip. Marriages had rituals. After he left, the sky, at 7:00 p.m., darkened like midnight, and the rain splashed down like a carwash. She waited inside, peering out the window, watching for their cosmic blue metallic Honda that her husband would keep for five more years, at least, no matter what new safety features … Continue reading Midnight by Rochelle Jewel Shapiro

Sparrows by Bill Glose

gray and white sparrow perched in reeds
 

When baby sparrows tumbled from our eaves onto soft clover, my sisters and I rescued the brown dollops fragile as fluff we blew from dandelions to make a wish. ………………….Pale downy plumage of the black-throated sparrow ………………….reflects harsh light of the desert sun while ………………….grassland sparrows—sharp-tailed and seaside— ………………….skulk through marshland thickets, choosing ………………….to hide from prying eyes. Sparrows adapt ………………….to any environment, some living entire lives inside ………………….warehouses or in coal mines half-a-mile underground. Eyes closed, heartbeats visible through velvet skin, hungry beaks gaping for milk-soaked bread. We eye-droppered food and swaddled a shoebox … Continue reading Sparrows by Bill Glose

Standard Oil by Gary Duehr

Old Standard Oil service station with two men standing out front
 

There’s nothing here to see. Relax. Beside a Coke machine, a guy who acts As if he’s in a movie Puffs on a Marlboro Light. It’s moody; Nothing’s happening except For blue sky, gas pumps, asphalt. Here’s the precept: “Nothing comes from nothing” (Lear) If there’s no plot, no drama here, Then what is there to witness Other than the act of witnessing? Unless: Like Ruscha’s oil of LA’s County Museum on fire, His Standard Station goes up as well, higher And higher the orangish flames, the pall of smoke— A kind of art world … Continue reading Standard Oil by Gary Duehr

Side Effects by Philip Lawton

Photo of spines of books on shelf
 

The day before I turned 40, a Sunday toward the end of the merry month, we went for a drive from our home in West Hartford to the town of Litchfield, Connecticut. I was at the wheel, my wife navigating, our children, a thirteen-year-old boy and a nine-year-old girl, on the back seat of a dark red minivan. I had a lot on my mind, my job was exceedingly demanding, my father, gravely ill, but it was a glorious afternoon for an unhurried Memorial Day weekend trip to that scenic part of the state. We … Continue reading Side Effects by Philip Lawton

The Only Version by Michael Olenick

A tram speeding down a blurred narrow street
 

The only version of us that remains are the nightly replicas that appear randomly as my sole consolation prize. Last night we visited a country that was a cross between Costa Rica and Switzerland. After a walk through the banana forests of Zurich, we could not remember where the car was parked, and as we searched, the streets got narrower and narrower and through a sunlit slash at the end of the road we saw our children on a passing tram. They were somehow older than us, and were trying to brush Lindt off a … Continue reading The Only Version by Michael Olenick

Tomer Peretz’s “Incomplete” Works

Artist Tomer Peretz painting Abraham Licoln
 

I’m a Los Angeles-based conceptual artist and painter. I was born in Jerusalem, Israel. Although my parents did not have any special interest in the arts and never painted, I started painting in childhood, wandering away in my mind, mostly in school while the teacher was talking. Being an athlete was much cooler than being an artist so I didn’t show my work much. I stopped painting when I enlisted in 2000 in the Israeli army which is mandatory. After four and a half years in the army, I traveled to South America for a … Continue reading Tomer Peretz’s “Incomplete” Works