Just like the adage about loving yourself before being able to love another person, I’ve come to understand that in order to write with depth, you first have to learn to write about yourself. I grew up in a close-knit Philadelphia neighborhood of row homes and old-world tailors, Holocaust survivors, first and second generation East European Jews. Although the streets were rich with stories, I had internalized society’s blonde-haired, blue-eyed obsession and was diverted from appreciating them. (Ironically, I’d read Issac Babel’s accounts of his Jewish Odessa neighborhood with passion, lamenting why I’d been born … Continue reading First Steps by Harriet Levin Millan→
Michael fled his village in South Sudan at the age of five. He trekked a thousand miles through war zones to arrive at a series of refugee camps where he lived for a decade. As a child at Kukuma Refugee Camp, Michael played soccer using a blown up latex glove fished from a trash bin outside the hospital tent. He learned to play chess and checkers under the punishing sun from old-timers who sat bereft of their children and their land. One of the most life-negating situations a person can face is to live without … Continue reading A Place To Flee by Harriet Levin Millan→
Sitting on my desk right now, asking for attention more ardently than any of the other chores I ought to be doing—such as my own writing, or, for example, this blog—are these two beautiful books of poetry. They have some things in common. Both writers are women, both write an eloquent lyric line, and both are past editors of this very magazine. Susan R. Williamson, while she still lived in Charlottesville, was the editor in chief of Streetlight for two years when it was still a print magazine. Roselyn Elliott was the co-editor for poetry … Continue reading Two Beautiful Books You Should See→
As the new poetry editor of Streetlight, I find myself caught between the delights and demands of poetry and the nightmare of current events happening here in our nation and globally. I want to attempt to answer a question which, ironically, I haven’t actually heard being asked: of what value is poetry in this near-apocalyptic world we’re living in, a world where, at least in this country, we, absurdly, can’t even agree to keep guns out of the hands of known terrorists? In many places in Europe and Asia poetry is not only an art … Continue reading Poetry of Witness and Healing→
A conversation with writer director Eleanor Gaver I met Eleanor Gaver in a writing workshop in L.A. and we kept in touch after she and her husband and daughter moved to NYC. I knew she had recently finished a film and knowing how hard it is to get financing I asked her how Here One Minute was able to go from script to screen. Eleanor: I got so tired of writing scripts and waiting years to get the money to make the film; I was so tired of hearing, ‘No.’ I decided to make a … Continue reading “A Great Time For Young Filmmakers” Eleanor Gaver, writer director→
Some writers spend years honing their craft until their work unfolds with the effortless grace of an Olympic figure skater. It’s the kind of ease and proficiency that looks impossible—belying countless hours of rehearsal—and can make an audience gasp. Diane Whitbeck is such a writer. A prolific freelance writer and published author, she has ghostwritten fourteen books in just two and a half years and has also authored six books under her own name. I interviewed Whitbeck about her writing career, and though I had only a short list of questions, she offered me a … Continue reading Amazing But True! Confessions from a Ghost (Writer): Diane Whitbeck→
by Laura Marello Three years ago I phoned Specialty Exterminators in Lynchburg. My side yard, viewed from my screened porch, was starting to look like a cheap horror movie: rats, mice, and baby mice, running from my yard into the neighbors’ yard and back. Specialty Exterminators sent the rat baiter: an appropriately slim, tanned, wrinkled, grizzled–but in a handsome sort of way–sixty-something in a uniform much like a gas station attendant or a tow truck driver, park ranger, or sheriff would wear. As it turned out, I needed all five, and more. The Rat Baiter … Continue reading The Rat Baiter and Me→
A few years back I took a trip to Texas with Bill Clinton. It was not a fun trip. Clinton is pathologically self-referential and by the time he’d repeated the phrase, “Let me tell you one more clever thing I said when I did something bad,” for the eleventy-twelfth time, I was ready to leave him by the side of the road in Alabama. I sputtered at the car CD player (which is where books-on-tape lived before they became books-on-Audible…did I mention Clinton was on the CD and not in the car?), “I don’t care … Continue reading The Consternations of Traveling South with Paul Theroux→
Calling all fans of Streetlight and contributors past and present. If you are a fan of Streetlight or if you have ever had a story, poem, or piece of art published in Streetlight (both print or on-line versions) join Streetlight Lamplighter’s social network and forum and become a lamplighter. I am a lamplighter. Lamplighters unite! This call goes out to all artists and writers. When the nice people at SL agreed to let me author this post, they expected a piece exalting the virtues of an art community. They won’t be disappointed. But there … Continue reading Gather Around the Light→
See who’s in focus at this year’s Look3 Festival of the Photograph, June 13 through 19 in Charlottesville. One of 11 featured artists, National Geographic photographer Frans Lanting launches the week with his natural history images hanging from the TREES on the downtown mall. Showing the world through animals’ eyes, Lanting says his mission is to use photography to help create leverage for conservation efforts from local initiatives to global campaigns. He’ll discuss his mission at 7:30-9 p.m. Wednesday June 15 at the Paramount Theater. “No one turns animals into art more completely than Frans … Continue reading Look3 Festival of the Photograph→
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